Presents thirteen studies that engage with the notion of formal function in a variety of waysAmong the more striking developments in contemporary North American music theory is the renewed centrality of issues of musical form (Formenlehre).
Theodore Parker (1810-1860) was a powerful preacher who rejected the authority of the Bible and of Jesus, a brilliant scholar who became a popular agitator for the abolition of slavery and for women's rights, and a political theorist who defined democracy as "e;government of all the people, by all the people, for all the people--words that inspired Abraham Lincoln.
This book focuses on the relationships between underground urban music cultures in Los Angeles and specific urban imaginaries related to music practices, far away and sometimes in stark opposition to the commodified image of the city crafted by urban planners and associated urban stakeholders.
Drawing on the resources of five other volumes in the series, Transforming Vestries creates a single source designed specifically for this governing body.
With the approach of the 500th anniversary of Martin Luther’s inauguration of the Protestant Reformation and the burgeoning dialogue between Catholics and Lutherans opened under Pope Francis, this new edition of Walter Altmann’s Luther and Liberation is timely and relevant.
This volume presents fifteen musicological perspectives on the creativity of women composers and the question of 'femininity' in Southeastern-European musical cultures from 1918 on.
Wilhelm Loehe is one of the most significant nineteenth-century figures for North American church life and mission, whose influence continues into the present.
Margaret Meuse Clay, who barely escaped a public whipping in the 1760s for preaching without a license; "e;Old Elizabeth,"e; an ex-slave who courageously traveled to the South to preach against slavery in the early nineteenth century; Harriet Livermore, who spoke in front of Congress four times between 1827 and 1844 - these are just a few of the extraordinary women profiled in this, the first comprehensive history of female preaching in early America.
This volume is dedicated to "e;Serenata and Festa Teatrale in 18th Century Europe"e;, especially to the production of this music-dramatic genre at the courts on the Iberian Peninsula, in Italy, and the Holy Roman Empire where it was an integral part of court ceremonials and a privileged ritual of repraesentatio maiestatis.
The eighteenth-century English minister Andrew Fuller lived a consequential life, debating noteworthy contemporaries such as Thomas Paine and contributing to the pioneering international work of William Carey.
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca.
Romeo und Julia unter den Brücken von New YorkRund 350 Jahre nach Shakespeares Tragödie "Romeo and Juliet" fanden vier amerikanische Bühnenkünstler zusammen, um aus der Renaissance-Vorlage ein aktuelles Zeitstück zu formen.
Despite being widely recognized as John Wesley's key moment of Christian conversion, Aldersgate has continued to mystify regarding its exact meaning and significance to Wesley personally.
Den überkonfessionellen und weltweiten Trend der Praise-and-Worship-Music greift der Theologe Andreas Scheuermann in dieser wissenschaftlichen Untersuchung auf und zeigt Chancen und auch Gefahren.