Hailed in The New York Times Book Review as "e;eclectic, exciting, convincing, provocative"e; and in The Washington Post Book World as "e;brilliantly original,"e; Henry Louis Gates, Jr.
In the late nineteenth and early twentieth centuries, American authors pioneered a mode of musical writing that quite literally resounded beyond the printed page.
We have grown accustomed to corporate influence in retail outlets, restaurants, and even higher education-but what happens when corporations take over desire?
When jazz musicians get together, they often delight one another with stories about the great, or merely remarkable, players and singers they've worked with.
Graced by more than 200 illustrations, many of them seldom seen and some never before published, this sparkling volume offers vivid portraits of the men and women who created country music, the artists whose lives and songs formed the rich tradition from which so many others have drawn inspiration.
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "e;musical riots put to a switchblade beat"e;--but if it generated much sound and fury, what, if anything, did it signify?
Michael Steinberg's highly successful listener's guides--The Symphony and The Concerto--have been universally praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor.
An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor, a legendary pianist and organist, and an accomplished painter and classicist.
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "e;The Star Spangled Banner,"e; he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him.
"e;Industrial"e; is a descriptor that fans and critics have applied to a remarkable variety of music: the oildrum pounding of Einsturzende Neubauten, the processed electronic groans of Throbbing Gristle, the drumloop clatter of Skinny Puppy, and the synthpop songcraft of VNV Nation, to name just a few.
The "e;Second Quintet"e; -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre.
The "e;Second Quintet"e; -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre.
Austin City Limits is the longest running musical showcase in the history of television, and it still captivates audiences forty years after its debut on the air.
From "e;Over the Rainbow"e; to "e;Moon River"e; and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon.
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces.
In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "e;On the Sunny Side of the Street,"e; "e;I Can't Give You Anything But Love,"e; "e;The Way You Look Tonight,"e; and "e;If My Friends Could See Me Now.
Edited by prominent musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom: Spirituality and the Music is a timely exploration of Coltrane's sound and its spiritual qualities that are rooted in Black American music-culture and aspirations for freedom.
The prevailing discourse surrounding urban music education suggests the deficit-laden notion that urban school settings are "e;less than,"e; rather than "e;different than,"e; their counterparts.
Modern Moves traces the movement of American social dance styles between black and white cultural groups and between immigrant and migrant communities during the early twentieth century.
Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres.
Although he died in a tragic car accident at twenty-five, Clifford Brown is widely considered one of the most important figures in the history of jazz, a trumpet player who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a leading influence on contemporary jazz musicians.
This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly interconnected, yet still localized world.
In June of 1964, three young, white blues fans set out from New York City in a Volkswagen, heading for the Mississippi Delta in search of a musical legend.
"e;There are no definitive histories,"e; writes Elijah Wald, in this provocative reassessment of American popular music, "e;because the past keeps looking different as the present changes.