Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' - conflicts over church music that continue to animate and divide Protestants today - to be based on long-term in-person observation and interviews.
From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationshipsWhile the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie, Virginia Grohl never expected her son to become a musician, let alone a rock star.
The search for a republican morality provides an exciting new study of an important event in the French Revolution and a defining moment in the career of its principal actor, Maximilien Robespierre, the Festival of the Supreme Being.
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "e;The Singing Brakeman"e; from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "e;Blue Yodel"e; and "e;In the Jailhouse Now.
As experiences of suffering continue to influence the responses of identity groups in the midst of violent conflict, a way to harness their narratives, stories, memories, and myths in transformative and nonviolent ways is needed.
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England.
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters and songs that made prog-rock such an innovative style.
"e;The only plan right now is to kill everybody"e; Joey Jordison, drummerIgnoring every rule in the book and more besides, Slipknot are a notoriously controversial band who combine a talent for outrage with their music.
In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists.
The Beatles Off The Record is the most comprehensive oral history of The Beatles ever published - an 'as it happened' story of the greatest pop group of them all.
The discussions in this book arrives us to the understanding that the Nexus of Patriarchy in its desire to create an Ideal Zo Christian State in Mizoram plays the self-proclaimed role of cleansers and sanitizers of the Zo society and thus monitor the Zo community into a faith (Zo Christian) abiding, culture conscious, peoplehood (mihringna).
Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
In this path-breaking book Anna Arrowsmith analyses gendered dating behaviour and shows how men's behaviour is both defined and illustrated by societal norms that require a particular masculine performance, including those desired by potential female performers.
Pursuing Justice in Africa focuses on the many actors pursuing many visions of justice across the African continenttheir aspirations, divergent practices, and articulations of international and vernacular idioms of justice.
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music.
The crooner Rudy Vallee's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity.
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song ';The Tide Is High,' originally written by Jamaican legend John Holt.
**Shortlisted for the Women s Prize for Non-Fiction 2025**The joyous and electric memoir from beloved music icon Neneh CherryA SUNDAY TIMES, GUARDIAN, NEW STATESMAN, EVENING STANDARD, UNCUT AND ROUGH TRADE BOOK OF THE YEAR 2024 Intoxicating .
Now in its fifth edition, this popular A-Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music.
Images of modern refugees often invoke images of the infant Christ and the historical circumstances of the holy family's flight to Egypt in the face of persecution.
Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses.
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world.
On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "e;Marines' Hymn"e; instead of the traditional all-male United States Marine Band.
Balancing respect for religious conviction and the values of liberal democracy is a daunting challenge for judges and lawmakers, particularly when religious groups seek exemption from laws that govern others.
By reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance.
Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston's hip hop culture.
Inclusive Music Histories: Leading Change through Research and Pedagogy models effective practices for researchers and instructors striving either to reform music history curricula at large or update individual topics within their classes to be more inclusive.
The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently.
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world.
