This is the first modern edition of the collected works of Supply Belcher, Maine's most celebrated early composer, who was known in his day as the Handel of Maine.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' - conflicts over church music that continue to animate and divide Protestants today - to be based on long-term in-person observation and interviews.
Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' - conflicts over church music that continue to animate and divide Protestants today - to be based on long-term in-person observation and interviews.
A performing edition of nineteenth century Russian choral pieces by a range of composers in a variety of styles, this volume was prepared to accompany the book The Russian Court Chapel Choir by Carolyn C.
A performing edition of nineteenth century Russian choral pieces by a range of composers in a variety of styles, this volume was prepared to accompany the book The Russian Court Chapel Choir by Carolyn C.
This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used.
This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used.
The Musical Repertories of the Liturgy of Southern Italy and Beneventan Sources, Alleluia Melodies after 1100, and the change in transmission of instrumental music in Fifteenth-Century Europe are provided.
The Musical Repertories of the Liturgy of Southern Italy and Beneventan Sources, Alleluia Melodies after 1100, and the change in transmission of instrumental music in Fifteenth-Century Europe are provided.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career.
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd.
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd.
Neither Spem in alium, the widely acclaimed 'songe of fortie partes' by Thomas Tallis, nor Alessandro Striggio's forty-part Mass is the largest-scale counterpoint work in Western music.
Neither Spem in alium, the widely acclaimed 'songe of fortie partes' by Thomas Tallis, nor Alessandro Striggio's forty-part Mass is the largest-scale counterpoint work in Western music.
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound.
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound.
A planning guide for church musicians and clergy for selecting hymns, songs, and anthems, for the three-year liturgical cycle following the Revised Common Lectionary.
A planning guide for church musicians and clergy for selecting hymns, songs, and anthems, for the three-year liturgical cycle following the Revised Common Lectionary.
This popular collection of 280 musical pieces from both the African American and gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church.
