In The Past Is Always Present, Tore Tvarno Lind examines the musical revival of Greek Orthodox chant at the monastery of Vatopaidi within the monastic society of Mount Athos, Greece.
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation.
Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides.
Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals is an introductory, undergraduate-level textbook that provides an easy entry point into the challenging field of diatonic set theory, a division of music theory that applies the techniques of discrete mathematics to the properties of diatonic scales.
This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world.
What can the lived experience of a white, transfemme, queer musician tell us about the intersections of place, queer identity, and embodiment in the late 20th and early 21st century United States?
Frederick Rennie Emerson (1895-1972) was a dynamic presence in the cultural and intellectual life of Newfoundland and Labrador for much of the twentieth century.
She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English.
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared.
Istvan Anhalt, born into a Jewish family in Budapest in 1919, studied with Zoltan Kodaly before being conscripted into a forced labour camp during World War II.
This book explores modern European religious and non-religious rituals and their main features by focusing on music as a key element required for the full expression of beliefs.
During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry.
During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry.
The role music, sound, and voice played in modern knowledge production in the early twentieth centuryDerived from the Latin words circum (round) and ire (to go), a circuit can refer to any bounded area.
This volume tackles an array of complex and interrelated phenomena which are usually referred to as the post-truth condition - from confirmation bias to science denialism, misinformation, and the rise of polarized 'epistemic tribes' on social media.
This book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training.
Based on his critically-acclaimed BBC Radio 3 programme The Listening Service, in which Tom Service takes an idea on an ear-opening and mind-expanding walk through the musical landscape every week, this book is a celebration of music's multi-dimensional power in our lives.
Pierre Boulez was appointed to the College de France in 1976, with the chair devoted to 'Invention, technique and language in Music', and he held his position until 1995.
Johann Joachim Quantz's On Playing the Flute has long been recognized as one of the primary sources of information about eighteenth-century performance practice.
Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a ';coloured' cultural organization that performed opera in the Cape.
Songs of Seoul is an ethnographic study of voice in South Korea, where the performance of Western opera, art songs, and choral music is an overwhelmingly Evangelical Christian enterprise.
With its thunderous sounds and dazzling choreography, Japanese taiko drumming has captivated audiences in Japan and across the world, making it one of the most successful performing arts to emerge from Japan in the past century.
Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world.
Long a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World.
"e;Mek Some Noise"e;, Timothy Rommen's ethnographic study of Trinidadian gospel music, engages the multiple musical styles circulating in the nation's Full Gospel community and illustrates the carefully negotiated and contested spaces that they occupy in relationship to questions of identity.
Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles.
A unique Israeli national culture-indeed, the very nature of "e;Israeliness"e;-remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills.
In Echoes from Dharamsala, Keila Diehl uses music to understand the experiences of Tibetans living in Dharamsala, a town in the Indian Himalayas that for more than forty years has been home to Tibet's government-in-exile.
Music and Revolution provides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life.
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones.
