Dance

Este libro surge de los anos de experiencia en lo social, historias reales visibilizadas en Arte con una luz de esperanza de que los cambios son posibles.

Wayne Sleep has lived an action-packed life among the great and the good of his generation.

This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy.

El occidente, con sus paradigmas hegemónicos centrados en el logos racional, sujeta y moldea nuestros cuerpos a su modelo único.

Teaching Dance Improvisation serves as an introduction to, and a springboard for the author's theories, practices, and curriculum building of dance improvisation as a technique.

During the 1970s, showgirls represented the pinnacle of club and resort entertainment.

Drawing on thirty years of making theatre with objects, this field-defining book maps the terrain of applied puppetry.

In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice.

What can the lived experiences of performing artists in Java, Indonesia tell us about the production and negotiation of gender and local identity?

This book presents new and original essays that capture the enigmatic and intriguing personal and imagined worlds of Chinese writers and artists in diaspora in the twentieth and twenty-first centuries.