This collection of new essays examines how the injection of supernatural creatures and mythologies transformed the hugely popular crime procedural television genre.
Faith horror refers to a significant outcropping of mid-1960s and 1970s films and adaptative novels that depict non-Christian communities of evil doers and their activities.
Set in the American Southwest, "e;desert terror"e; films combine elements from horror, film noir and road movies to tell stories of isolation and violence.
The original Star Wars trilogy famously follows Joseph Campbell's model for the hero's journey, making Luke Skywalker's story the new hero quest for a modern age.
Dark, dangerous and transgressive, Bram Stoker's Dracula is often read as Victorian society's absolute Other--an outsider who troubles and distracts those around him, one who represents the fears and anxieties of the age.
Hollywood studios were once eager to bring stand-up comedy king Richard Pryor's dynamic humor to the big screen--so much so that studio executives gave him full access to available resources and creative control to develop his own projects.
British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features.
The ongoing popularity of Leslie Stevens' 1960s television masterwork The Outer Limits, as well as later series creations Battlestar Galactica and Buck Rogers in the 25th Century, has kept his name familiar to television fans.
After they are pulled 70,000 light-years away from Alpha Quadrant, the captain and crew of Star Trek: Voyager must travel homeward while exploring new challenges to their relationships, views of others, and themselves.
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture.
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl.
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull.
An indispensable resource for students and researchers of paranormal myth and media, this book explores the undead and unholy in literature, film, television, and popular culture.
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "e;vomit gore"e; films.
Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth.
Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956.
This critical examination of two dystopian television series--Black Mirror and Electric Dreams--focuses on pop culture depictions of technology and its impact on human existence.
Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s.
The "e;Gothic"e; style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre.
A staple of television since the early years of the BBC, British crime drama first crossed the Atlantic on public broadcasting stations and specialty cable channels, and later through streaming services.
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre.
Vampires are arguably the most popular and most paradoxical of gothic monsters: life draining yet passionate, feared yet fascinating, dead yet immortal.
The horror genre mirrors the American queer experience, both positively and negatively, overtly and subtextually, from the lumbering, flower-picking monster of Frankenstein (1931) to the fearless intersectional protagonist of the Fear Street Trilogy (2021).
Straight, traducida por Juan Pablo Pizarro de Trenqualye, da cuenta de que, durante mucho tiempo, Sudáfrica fue marginada del resto del mundo por causa del apartheid.
