One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark.
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life.
"e;Le Fabuleux destin d'Amelie Poulain"e; was the surprise boxoffice success of 2001, with nine million spectators in France, and more than 30 million worldwide.
New Hollywood extends from the radical gestures of the 'Hollywood Renaissance' of the late 1960s and early 1970s to the current dominance of the corporate blockbuster.
From "e;Wonder Woman"e; to Buffy Summers, Emma Peel to Sydney Bristow, "e;Charlie's Angels"e; to "e;The Powerpuff Girls"e;, Superwomen are more than just love interests or sidekicks who stand by their Supermen.
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life.
In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human.
The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans.
Impure Cinema goes back to Bazin's original title precisely for its defence of impurity, applying it on the one hand to cinema's interbreeding with other arts and on the other to its ability to convey and promote cultural diversity.
The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls.
The clock plays a significant part in our understanding of temporality, but while it simplifies, regulates and coordinates, it fails to reflect and communicate the more experiential dimensions of time.
One of the most charismatic feature films of the New Wave, A Bout de Souffle (1960) has retained much of its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark.
In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran - such as the role of clergy in Iranian society.
The New Iranian Cinema has had a fascinating success story in world cinema and critics have hailed Iranian films as alternatives to the homogenising global influence of mainstream Hollywood cinema.
Typical Men is the first book length study of masculinity in British cinemaand offers a broad and lively overview from the Second World War to the present day.
Since its maiden voyage and sinking in April 1912, Titanic has become a monumental icon of the 20th century and has inspired a wealth of interpretations across literature, art and media.
Directed by Vasisli Pichul and released in 1988 "e;Little Vera"e; received the European Film Award for best screenplay as well as the special jury prize at Montreal.
New Hollywood extends from the radical gestures of the 'Hollywood Renaissance' of the late 1960s and early 1970s to the current dominance of the corporate blockbuster.
Borrowing its title from Gregg Araki's 2005 film, in which the camera's contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, "e;Mysterious Skin"e; offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted.
Described by Stuart Hall as 'one of the most riveting and important films produced by a black writer in recent years', My Beautiful Laundrette was a significant production for its director Stephen Frears and its writer Hanif Kureshi.
From "Wonder Woman" to Buffy Summers, Emma Peel to Sydney Bristow, "Charlie's Angels" to "The Powerpuff Girls", Superwomen are more than just love interests or sidekicks who stand by their Supermen.
The endangered and dangerous female figures of "e;Rebecca"e;, of "e;Jagged Edge"e; and "e;What Lies Beneath"e; have a deserved and endures fascination.
Dubbed 'the Citizen Kane of juke-box movies', voted among the top 100 British films of all time, accorded a high-profile release on DVD, A Hard Day's Night, the Beatles' film debut of 1964, has proven to be that rare event - an exploitation 'quickie' that has firmly entered the cultural canon.
Travelling from Warsaw to Blackpool, Marseilles to Madrid, this lively and accessible book investigates the postmodern nature of contemporary Europe's urban life and cinema and shows how European films represent the cities across old and new Europe.
