Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it.
Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple.
The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition.
This book analyzes the representations of the subjects of Hindi cinema as a way of gaining insights into the hegemony of the upper-caste Hindu male in narratives of nationhood.
In this innovative study of early film exhibition, Joe Kember demonstrates that prior to the emergence of a specific discipline of screen acting and the arrival of picture personalities, the early cinema inherited its human dimensions from diverse earlier traditions of performance, from the magic lantern lecture to the fairground and variety theatre.
British Cinema and Middlebrow Culture in the Interwar Years offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other ';culture industries' such as the radio, music recording, publishing and early television.
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day.
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day.
In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human.
Frank Capra has long had a reputation as being the quintessential American director - the man who perfectly captured the identity and core values of the United States with a string of classic films in the 1930s and '40s, including It Happened One Night, Mr.
The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans.
As Philip Taylor has written, 'The challenge (of the modern information age) is to ensure that no single propaganda source gains monopoly over the information and images that shape our thoughts.
Sportswomen in Cinema considers both documentary and fiction films from a variety of periods and cultures, by directors including Kathryn Bigelow, Gurinder Chadha, Im Soon-rye, George Kukor, Ida Lupino, and Leni Riefenstahl.
HOWARD HUGHES'S NEW FILMGOERS' GUIDE TO SCIENCE-FICTION FILMS DELVES DEEP INTO THE LANDMARK MOVIES OF THIS EVERPOPULAR GENRE, FROM METROPOLIS TO AVATAR AND BEYOND, AND COVERS OVER 250 MORE Outer Limits explores science-fiction cinema through 26 great films, from the silent classic Metropolis to today.
Killing as punishment in the USA, whether ordained by lynch mob or by the courts, reflects a paradox of the American nation: liberal, pluralistic, yet prone to lethal violence.
Andre Bazin's famous article, 'Pour un cinema impur: defense de l'adaptation', was first translated into English simply as 'In Defence of Mixed Cinema', probably to avoid any uncomfortable sexual or racial resonances the word 'impure' might have.
The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls.
Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day.
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt.
Art today is an increasingly multifaceted phenomenon, encompassing transgressive works that intervene in war and ecological disasters, in inequalities and revolutionary changes in technology.
One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark.
Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life.
"e;Le Fabuleux destin d'Amelie Poulain"e; was the surprise boxoffice success of 2001, with nine million spectators in France, and more than 30 million worldwide.
New Hollywood extends from the radical gestures of the 'Hollywood Renaissance' of the late 1960s and early 1970s to the current dominance of the corporate blockbuster.
From "e;Wonder Woman"e; to Buffy Summers, Emma Peel to Sydney Bristow, "e;Charlie's Angels"e; to "e;The Powerpuff Girls"e;, Superwomen are more than just love interests or sidekicks who stand by their Supermen.
