Desafíos, diferencias y deformaciones de la ciudadanía: mutantes y monstruos en la producción cultural latinoamericana reciente se inserta dentro del creciente interés en los estudios sobre ciudadanía al tener como objetivo el entender las diferentes formas en las que las políticas-económicas neoliberales cuestionan, controvierten e incluso mutan el concepto de ciudadanía y el consecuente derecho a la titularidad de una serie de libertades en un espacio cada vez más privatizado.
Christianity and Horror Cinema explores ways that Christian beliefs, spiritualities, practices, and symbols provide the religious and existential "e;depths"e; out of which the monsters of Western horror cinema have emerged, arguing that they are, in several respects, the monsters for which Christians are responsible.
Christianity and Horror Cinema explores ways that Christian beliefs, spiritualities, practices, and symbols provide the religious and existential "e;depths"e; out of which the monsters of Western horror cinema have emerged, arguing that they are, in several respects, the monsters for which Christians are responsible.
Esta obra investiga acerca de los fenómenos de importancia capital que se produjeron a lo largo del siglo XX, los autoritarismos de Estado y las relaciones que mantuvo cada uno con sus propios creadores de imágenes.
Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation.
A comparison of the cultural and political/institutional dimensions of war's impact on Greece during the Peloponnesian War, and the United States and the two Koreas, North and South, during the Korean War.
Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin.
This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system.
Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language.
Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zelie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day.
Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language.
For Elena del Rio, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence.
Film production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema.
»Ohne geht nicht: Wie so viele andere eingefleischte Fans der Saga entdeckte ich durch das Erlebnis der ersten Star Wars-Trilogie meine Leidenschaft für das Kino.
This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s.
Starting from the premise that after modernism and postmodernism in the Anthropocene an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images.
Esta obra analiza las posibles relaciones entre la crítica de Walter Benjamin y la experiencia cultural del capitalismo en América Latina; la hipótesis de que, vista desde la perspectiva de la producción cultural, la experiencia histórica latinoamericana del capitalismo ha estado sobredeterminada por lo político; y que la violencia constituyente que define la "acumulación originaria" no sólo precede al capitalismo, sino que lo acompaña de forma siempre como su condición de existencia y reproducción.
"e;The Cambridge Modern History Collection"e; is a remarkable Amazon ebook that brings together all five original volumes, offering a captivating exploration of significant historical periods.
Imagenes de nomadas transnacionales indaga acerca de las representaciones del migrante nacional en el cine y el video de productores ecuatorianos locales y de residentes en el exterior.
Durante el siglo XIX, los philosophical toys promovieron y acompañaron el desarrollo de los estudios sobre el movimiento, oscilando entre una mera curiosidad por los efectos ópticos y una argumentación fisiológica sobre el funcionamiento de la vista.
