The famed film writer and critic reviews twenty-five essential French films, featuring Amelie, Belle du Jour, La Vie en Rose, and Au Revoir les Enfants.
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "e;pure white stock"e; and as deeply impoverished and backward.
'Like a pizza delivery driver who travels everywhere by moped, or a volcanologist who keeps turning the central heating up, I'm a film critic who loves going to the cinema.
From the team who brought you The Empire Film Guide, here are all the obscure, indecent and downright bizarre movie facts and figures that were not considered sensible for a practical film guide.
The finest film critic in Britain at the absolute top of his form' Stephen Fry'Entertainingly incendiary stuff' EmpireA hatchet job isn't just a bad review, it's a total trashing.
By reconsidering assumptions about mainstream popular culture and its revolutionary possibilities, author Dana Heller reveals that John Waters' popular 1988 film Hairspray is the director's most subversive movie.
By reconsidering assumptions about mainstream popular culture and its revolutionary possibilities, author Dana Heller reveals that John Waters' popular 1988 film Hairspray is the director's most subversive movie.
There are certain films and shows that resonate with audiences everywhere they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity.
There are certain films and shows that resonate with audiences everywhere they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity.
This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.
Top Hat is the first volume to spotlight this classic Hollywood film, probing the musical genre, notions of romance and subjectivity, as well as the contested relations between the sexes.
Top Hat is the first volume to spotlight this classic Hollywood film, probing the musical genre, notions of romance and subjectivity, as well as the contested relations between the sexes.
The Mirage of America in Contemporary Italian Literature and Film explores the use of images associated with the United States in Italian novels and films released between the 1980s and the 2000s.
The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema.
One of Canada's pre-eminent auteur filmmakers, Atom Egoyan has been celebrated internationally, earning multiple awards from the prestigious Cannes and Toronto Film Festivals and an Academy Award nomination.
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media.
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media.
Long before 'Reality TV,' Canadian filmmaker Allan King caused a stir by mixing people's private and public lives in his 1969 documentary A Married Couple.
The release of Denys Arcand's Le Declin de l'empire americain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema.
With this lucid translation of Du litteraire au filmique, Andre Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time.
With this lucid translation of Du litteraire au filmique, Andre Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time.
Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55.
John Paizs’s ‘Crime Wave’ examines the Winnipeg filmmaker’s 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation.
John Paizs’s ‘Crime Wave’ examines the Winnipeg filmmaker’s 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation.
