Between 1948 and the end of the 1950s, Italian and American government agencies and corporations commissioned hundreds of short films for domestic and foreign consumption on topics such as the fight against unemployment, the transformation of rural and urban spaces, and the re-establishment of democratic regimes in Italy and throughout Europe.
Between 1948 and the end of the 1950s, Italian and American government agencies and corporations commissioned hundreds of short films for domestic and foreign consumption on topics such as the fight against unemployment, the transformation of rural and urban spaces, and the re-establishment of democratic regimes in Italy and throughout Europe.
Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America.
Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America.
Since its release in July 1970, Donald Shebib’s low-budget road movie about displaced Maritimers in Toronto has become one of the most celebrated Canadian movies ever made.
Since its release in July 1970, Donald Shebib’s low-budget road movie about displaced Maritimers in Toronto has become one of the most celebrated Canadian movies ever made.
Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era.
Consistently ranked as one of the best Canadian movies of all time, punk-rock mockumentary Hard Core Logo (1996) documents the last-ditch reunion tour of an aging rock band led by vocalist Joe Dick (Hugh Dillon).
Consistently ranked as one of the best Canadian movies of all time, punk-rock mockumentary Hard Core Logo (1996) documents the last-ditch reunion tour of an aging rock band led by vocalist Joe Dick (Hugh Dillon).
Beginning in 1922, when Robert Flaherty filmed 'Nanook of the North' in Canada's Arctic, and encouraged by John Grierson and the federal government in 1939 when they created the National Film Board of Canada (NFB), documentaries have dominated Canada's film production and, more than any other form, have been crucial to the formation of Canada's cinematic identity.
Bonnie Sherr Klein’s “Not a Love Story” provocatively examines the first Canadian film to explore pornography’s role in society from a feminist perspective.
Bonnie Sherr Klein’s “Not a Love Story” provocatively examines the first Canadian film to explore pornography’s role in society from a feminist perspective.
Fictions of Youth is a comprehensive examination of adolescence as an aesthetic, sociological, and ideological category in Pier Paolo Pasolini’s prose, poetry, and cinema.
Fictions of Youth is a comprehensive examination of adolescence as an aesthetic, sociological, and ideological category in Pier Paolo Pasolini’s prose, poetry, and cinema.
Beginning in 1922, when Robert Flaherty filmed 'Nanook of the North' in Canada's Arctic, and encouraged by John Grierson and the federal government in 1939 when they created the National Film Board of Canada (NFB), documentaries have dominated Canada's film production and, more than any other form, have been crucial to the formation of Canada's cinematic identity.
Responsible for some of the greatest films of the 20th centuryThe Grapes of Wrath, How Green Was My Valley, and The Quiet Man among othersJohn Ford was best known for motion pictures that defined the American West and the face of wartime military.
In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.
Examining the global dimensions of Neo-Victorianism, this book explores how the appropriation of Victorian images in contemporary literature and culture has emerged as a critical response to the crises of decolonization and Imperial collapse.
The Environmental Documentary provides the first extensive coverage of the most important environmental films of the decade, including their approach to their topics and their impacts on public opinion and political debate.
Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitaries, state authorities and censors for well over a century.
Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations.
During the first fifty years of the American cinema, the act of going to the movies was a risky process, fraught with a number of possible physical and moral dangers.
Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons.
Examining the global dimensions of Neo-Victorianism, this book explores how the appropriation of Victorian images in contemporary literature and culture has emerged as a critical response to the crises of decolonization and Imperial collapse.
A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media.
