Tim Burton is one of the most popular and remarkable filmmakers of the last 30 years, being responsible for such films as Edward Scissorhands, The Nightmare Before Christmas, Corpse Bride and Alice in Wonderland.
Son diversas las publicaciones que tratan la relación cine-pedagogía, pero en este libro se busca entender que existen maestros en formación que usan el cine en sus prácticas educativas diarias.
Rethinking the Romance Genre examines why the romance genre has proven such an irresistible form for contemporary writers and filmmakers as they approach global issues.
Although Michelangelo Antonioni became one of the icons of "e;modernist"e; cinema in the 1960s, his position in the pantheon of great directors has never been quite secure.
Now in paperback in time for the 60th anniversary of the film version Breakfast at Tiffanys the New York Times bestseller and first-ever complete account of Audrey Hepburn and the making of the film that Janet Maslin called a bonbon of a book filled with delightful anecdotesWith a cast of characters that includes Audrey Hepburn, Truman Capote, and Gerald Clarke, this book offers a slice of social history seen through the lens of one of Americas most iconic films The images of Breakfast at Tiffanys are branded into our collective memory: we can see Audrey Hepburn stepping out of that cab on the corner of 57th and 5th, and we can picture her again with George Peppard, huddled in an alleyway and wrapped in a kiss, as the rain pours down around them.
Cinema, Suffering and Psychoanalysis explores psychological disorder as common to the human condition using a unique three-angled approach: psychoanalysis recognises the inherent suffering encountered by each subject due to developmental phases; psychology applies specific categorisation to how this suffering manifests; cinema depicts suffering through a combination of video and aural elements.
Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World.
Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World.
Dive into the history of modern Europe with "e;The Cambridge Modern History Collection,"e; which brings together all five original volumes in one ebook.
This multi-authored survey offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s.
A Syrian filmmaker's haunting record of his time in Lebanon's Palestinian refugee campsIn 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams.
Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts.
Although Michelangelo Antonioni became one of the icons of "e;modernist"e; cinema in the 1960s, his position in the pantheon of great directors has never been quite secure.
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages.
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages.
This book analyzes the rise of socially and politically engaged Algerian documentaries, created in the period immediately following the end of the Algerian civil war (1991-1999).
This book examines the evolution of Barbie as a brand and cultural icon, analysing her impact as a model for identity and a powerful influencer within the toy, fashion, and media industries.
Durante las primeras décadas del siglo xx, el arte, las ciudades y los monumentos más emblemáticos de la geografía española comenzaron a recibir una especial atención por parte de la cinematografía, que contribuyó a su difusión, promoción y conocimiento entre la sociedad del momento.
Die Wachau ist eine der legendärsten Landschaften Österreichs – ein Rang, der sich nicht nur ihrer tatsächlichen Schönheit verdankt, sondern auch ihrer Inszenierung im Film.
Entre 1966 y 1968 el cineasta italiano Valentino Orsini y el filósofo italiano-venezolano Alberto Filippi realizaron la película I dannati della terra (Los condenados de la tierra), inspirada en el libro homónimo del revolucionario afrocaribeño Frantz Fanon, que se había hecho famoso por el prólogo de Jean Paul Sartre.
This book critically investigates the ways in which Aboriginal children and childhood figure in Australia's cultural life to mediate Australians' ambivalence about the colonial origins of the nation, as well as its possible post-colonial futures.
This book critically investigates the ways in which Aboriginal children and childhood figure in Australia's cultural life to mediate Australians' ambivalence about the colonial origins of the nation, as well as its possible post-colonial futures.
Surveying the strategies employed by film studios to market and produce their most successful films between 1929 and present day, this book incorporates multilayered comprehensive analysis on the media industry and how it works.
