Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood's Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur.
In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations.
In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose.
The veterans' culture in postwar eras from World War I to the present is examined in this book, with specific attention to the historic events of each era as they influence veterans, and the literature and movies produced about veterans and by veterans.
Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products.
Horror films, books and video games engage their audiences through combinations of storytelling practices, emotional experiences, cognitive responses and physicality that ignite the sensorium--the sensory mechanics of the body and the intellectual and cognitive functions connected to them.
The author invites readers to spend time in the pleasure of Harpo's cinematic company while comparing him to tricksters from folklore, myth and legend.
When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds.
The book explores how we understand global conflicts as they relate to the "e;European refugee crisis"e;, and draws on a range of empirical fieldwork carried out in the UK and Italy.
In Marion Richardson: Her Life and Her Contribution to Handwriting, Rosemary Sassoon's recognizes Richardson's groundbreaking contribution to the freeing of the teaching of child art and her two handwriting schemes - the main one based on her observations of children's pattern paintings and the natural movement of young children's hands.
In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s.
An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging '60s and the politically charged atmosphere following the 2005 subway bombings.
This book is the first written by a film specialist to consider Stephen King's television work in its own right, and rejects previous attempts to make the films and books fit rigid thematic categories.
Part of Intellect's World Film Locations series, World Film Locations: Helsinki explores the relationship between the city, cinema and Finnish cultural history.
A richly illustrated cultural history of the midcentury pulp paperback"e;There is real hope for a culture that makes it as easy to buy a book as it does a pack of cigarettes.
Responsible for some of the greatest films of the 20th centuryThe Grapes of Wrath, How Green Was My Valley, and The Quiet Man among othersJohn Ford was best known for motion pictures that defined the American West and the face of wartime military.
Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties.
This analysis examines several recent reimagined science fiction franchises (Star Trek, Battlestar Galactica, V, and Star Wars) in order to capture how "e;reboots"e; work from a fan perspective.
This biographical dictionary shines the spotlight on several hundred unheralded stunt performers who created some of the cinema's greatest action scenes without credit or recognition.
The Emmy-nominated star of the classic 1950s sitcom I Married Joan, Joan Davis (1912-1961) was also radio's highest paid comedienne in the 1940s--and she displayed her unique brand of knockabout comedy in more than forty films.
Since its inception in the mid-1950s, the television drama has emerged as the dominant medium of contemporary storytelling in Italian society, with a steadily increasing supply of locally produced domestic dramas offering up competing versions of Italian identity.
The eminent psychologist Carl Jung is best known for such indelible contributions to modern thought as the concept of the collective unconscious, but his wide-spread work can also be fruitfully employed to analyze popular culture.
A new approach to a director whose contribution to cinema is often overshadowed his personal life, Polanski and Perception focuses on Roman Polanski's interest in the nature of perception and how this is manifested in his films.
Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films.
'We'll always have Paris,' Humphrey Bogart assures Ingrid Bergman in the oft-quoted farewell scene from Casablanca in which Bogart's character, hard-hearted restaurateur Rick Blaine, bids former lover Ilsa Lund goodbye.
The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim - from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show and Master and Commander.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin.
In recent years, Chinese film has garnered worldwide attention, and this interdisciplinary collection investigates how new technologies, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures.
On September 23, 1947, a number of the film industry's leading writers, producers, and directors received subpoenas that summoned them to Washington to testify before the Un-American Activities Committee of the House of Representatives.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?
