Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide.
Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide.
Somatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice.
Somatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice.
Performing Commedia dell'Arte, 1570-1630 explores the performance techniques employed in commedia dell'arte and the ways in which they served to rapidly spread the ideas that were to form the basis of modern theatre throughout Europe.
Performing Commedia dell'Arte, 1570-1630 explores the performance techniques employed in commedia dell'arte and the ways in which they served to rapidly spread the ideas that were to form the basis of modern theatre throughout Europe.
Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
The Michael Chekhov Handbook is a practical guide to Chekhovs supportive techniques for actors, fully updated with new exercises that examine the relationship between the sensations of the physical body and the imagination.
The Michael Chekhov Handbook is a practical guide to Chekhovs supportive techniques for actors, fully updated with new exercises that examine the relationship between the sensations of the physical body and the imagination.
With On Screen Acting, director Edward Dmytryk and actress Jean Porter Dmytryk offer a lively dialogue between director and actress about the principles and practice of screen acting for film and television.
With On Screen Acting, director Edward Dmytryk and actress Jean Porter Dmytryk offer a lively dialogue between director and actress about the principles and practice of screen acting for film and television.
William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character.
Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented.
Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented.
A must-have for any aspiring actor or stage parent--the definitive guide to breaking into film, television, theater, and even YouTube from a top casting directorPacked with information that aspiring actors clamor for, this up-to-the-minute advice from a true expert is essential reading for anyone pursuing an acting career.
Learn how to adapt the craft of acting to the needs of the camera and how to make it in TV & film with this guide full of insights from pros in the field.
"e;One of the more readable, insightful and entertaining celebrity autobiographies in recent memory-a tragicomedy that could be turned into its own movie.
Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters.
'Training for Performance is the first work of its kind; not in the sense that it addresses training for performance, but in that it invites a critical questioning of the imperatives and the rhetoric which govern academic and practical concerns for training alike.
