Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to create new work in new ways.
Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking.
Experiencing Accents: A Knight-Thompson Speechwork(R) Guide for Acting in Accent presents a comprehensive and systematic approach to accent acquisition for actors.
Experiencing Accents: A Knight-Thompson Speechwork(R) Guide for Acting in Accent presents a comprehensive and systematic approach to accent acquisition for actors.
This book maps South Asian theatre productions that have contextualised Ibsen's plays to underscore the emergent challenges of postcolonial nation formation.
Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking.
This book maps South Asian theatre productions that have contextualised Ibsen's plays to underscore the emergent challenges of postcolonial nation formation.
In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor, Michael Chekhov made his first incursion into the challenging task of writing about an actor's experience and his vision of the craft.
A History of Intimacy Professionals in Entertainment is the first book that explores the evolution of intimacy coordinators, choreographers and directors in the performing arts, highlighting the history of their critical role in fostering safe(r) and respectful environments on set and in theaters.
Voice Made Visible is an exploration of voice training and performance practice based on the use and application of Multi-Octave Vocal Range techniques.
Voice Made Visible is an exploration of voice training and performance practice based on the use and application of Multi-Octave Vocal Range techniques.
Stanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky's "e;system"e; and its legacies can play in building, troubling and illuminating today's anti-racist theatre practices.
Stanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky's "e;system"e; and its legacies can play in building, troubling and illuminating today's anti-racist theatre practices.
How to Swing in Musical Theatre shines a light on the most universal techniques used by cast members who, in response to absence, can perform multiple roles across an ensemble.
How to Swing in Musical Theatre shines a light on the most universal techniques used by cast members who, in response to absence, can perform multiple roles across an ensemble.
A History of Intimacy Professionals in Entertainment is the first book that explores the evolution of intimacy coordinators, choreographers and directors in the performing arts, highlighting the history of their critical role in fostering safe(r) and respectful environments on set and in theaters.
Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.
Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
Reissuing works originally published between 1933 and 1993, Routledge Library Editions: Shakespeare in Performance offers a selection of scholarship on the Bard's work on stage.
