Conférencier, enseignant, acteur, vendeur, politicien ou chanteur, chacun peut apprendre à atteindre son interlocuteur ou son public en imposant sa voix comme élément d'intérêt premier.
A powerful chronicler of the American Nightmare through his gripping examinations of near-mythic Southern California murders (the Black Dahlia, Tate-La Bianca), John Gilmore now draws upon his personal experiences to turn his sights on our morbid obsession with Celebrity and the ruinous price it extracts from those who would pursue it.
Live Fast, Die Young: Rembering the Short Life of James Dean is a first - revealing James Dean from the inside out by someone who knew him intimately, in more ways than one.
'A book that will stand the test of time' Pierce BrosnanAn essential guide to the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach.
Modern Voice: Working with Actors on Contemporary Text has been designed to follow on from Catherine s previous book, Classic Voice: Working with Actors on Vocal Style, focusing on the less defined demands within contemporary drama.
Acting: Cut the Crap, Cue the Truth fills a gap in the drama school curriculum, tackling many areas which are unaddressed during training and discussing issues that are more often than not hushed up afterwards.
"e;There is a mystery in every play that is written, no matter whether classical and poetic or modern and demotic, and it is the sound and the rhythm of the writing which take us there.
For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis.
Teaching Actors draws on history, literature, and original research conducted across leading drama schools in England and Australia, to offer those involved in actor training a critical framework within which to think about their work.
This original and unique new book takes an integrated approach to interrogating the experience and location of the self/s within the context of performance art practice.
This original and unique new book takes an integrated approach to interrogating the experience and location of the self/s within the context of performance art practice.
MEMOIR OF A FILM STAR IN THE TIME OF PASSING OF THE AMERICAN FRONTIER CULTUREThis is the autobiography of William Surrey Hart (1864-1946), an early twentieth century silent film actor, screenwriter, director, and producer.
The "e;Me"e; in the title is a comparatively unknown Marx named Julius (1895-1977), who, under the nom de plume of Groucho, enjoyed a sensational career on Broadway and in Hollywood with such comedy classics as Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, and A Day at the Races.
In To the Actor Michael Chekhov has recorded brilliantly the results of his many years of experimenting, testing and verifying in the professional theater and schools of the theater.
WINNER OF THE 2011 THEATRE BOOK PRIZEShakespeare's greatest play, directed by the most experienced and acclaimed director in the land, starring one of our very finest actors at the very peak of his powers.
