In Hemispheric Blackface, Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalism, and other versions of postracialism in the Americas.
Estudiantes, dramaturgos y analistas del teatro contemporaneo encontraran aqui catorce obras producidas en Rio Negro, Patagonia Argentina, del periodo posterior a la dictadura civico-militar, con un estudio preliminar del compilador Mauricio Tossi.
New Directions (1970) is a handbook for amateur dramatists packed with ideas and practical advice on production, choosing plays, improvisation, make-up, costumes, street drama, scenery and documentaries.
Performance Dynamics and the Amsterdam Werkteater offers an in-depth exploration of one of the most innovative theater companies of the 20th century, charting its origins, methods, and profound impact on modern performance art.
Performance Dynamics and the Amsterdam Werkteater offers an in-depth exploration of one of the most innovative theater companies of the 20th century, charting its origins, methods, and profound impact on modern performance art.
Audio Augmented Reality: Concepts, Technologies and Narratives provides readers with a comprehensive overview of audio augmented reality (AAR), focussing on its narrative potential while discussing several design considerations and prospective application domains.
This collection examines representations of Spanish queer aging through investigations of literary and cinematic representations of this demographic, offering a showcase for research on communities often made invisible due to age and sexual identity in Spanish culture with wider implications for queer aging studies research.
Culturally Responsive Teaching in a High School Percussion Ensemble: Validating Immigrant Identities addresses themes of immigration, identity, and culturally responsive teaching in music education using a deep case study of Brazilian samba music in the context of a high school percussion ensemble.
