This work examines how beauty standards, specifically the ideology of "e;fairness"e;, contributed to the racialization of bodies in early modern England.
This volume discusses gendered transformative initiatives in South Asian feminism, discussing gender norms, labour and market participation by women, along with family planning, reproductive rights and initiatives for the social and financial empowerment of women in South Asia.
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.
Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender.
First published in 1933, The Indian Theatre provides a comprehensive overview of the origin and the later developments of theatre in India under European influence with special reference to Western India.
Creative Confidence and Music Production: Overcome Your Insecurities is a practical guide for music producers to tackle self-doubt and navigate the relationship between confidence and creativity, by offering tools to overcome the most common creative blocks.
Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender.
Preisgekröntes Kindertheaterstück übereine starke ProtagonistinWenn die 10-jährige Ida nach Hause kommt, weiß sie nicht, was sie erwartet: Ihre Mutter ist Alkoholikerin und psychisch krank.
Creative Confidence and Music Production: Overcome Your Insecurities is a practical guide for music producers to tackle self-doubt and navigate the relationship between confidence and creativity, by offering tools to overcome the most common creative blocks.
Providing a thorough introduction to both choral and instrumental conducting, this textbook offers a complete package of teaching, study, and assessment materials to support a single-semester foundational conducting course.
British Theatre and Young People gathers together new and original studies on the issues, theories, practices and perceptions which characterise British theatre about, for, by, and with young people in the 21st century.
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.
First published in 1933, The Indian Theatre provides a comprehensive overview of the origin and the later developments of theatre in India under European influence with special reference to Western India.
This volume discusses gendered transformative initiatives in South Asian feminism, discussing gender norms, labour and market participation by women, along with family planning, reproductive rights and initiatives for the social and financial empowerment of women in South Asia.
This highly novel book provides an exploration of the role of silence in the school setting and interrogates the value of silence and quiet in contemporary educational practices, looking at pedagogies and classroom practice to guide this increasingly popular subdiscipline of the history of education.
This book offers a groundbreaking interpretation of the evolution of painting in France from the mid-1750s to 1781, a period that witnessed the emergence of artists like Vien, Greuze, and David.
Dramaturgy and History provides a practical account of an aspect of dramaturgical practice that is often taken for granted: dramaturgs' engagements with history and historiography.
The book offers the reader a clear model of reflection on a work of theater art, it is a summary of 20th century knowledge on this subject, a specific synthesis of the consequences and achievements of contemporary theatrical autonomism.
