This Student Edition is ideal for any teacher coming to Francis Turnly's 2018 play for the first time or those who already have some familiarity with it.
Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century.
The Red Pencil (1989) examines the many ways in which Soviet censorship interfered in the creative process - in the words of those who experienced it first hand.
This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance.
Digital Media, Projection Design, & Technology for Theatre, Second Edition comprehensively details the integration of digital media and projections in theatre and live performance, providing foundational skills, best practices, and real-world applications and considerations.
Quel est encore le rôle des acteurs vis-à-vis de leur métier, dans une société en quête de sens où l’art dramatique représenterait presque une sorte d’énigme contemporaine : à la fois art vivant et institution en crise ?
This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.
Surveying how Performance as a form has evolved as a distinct artistic sector to where it is today, Performance Making: a pedagogy for precarious times provides insight into the impact the artform has had across the creative sector and argues for its defence in higher education today.
Scholarly work on the impact of an active audience on theatrical and dance performance is a relatively new phenomenon, one that until now has manifested itself largely in the form of scattered dialogue on the subject.
In All Together Now (first published in 1984), Steve Gooch, himself a playwright with extensive experience of 'community theatre', looks at the relationship of the theatre to the community in which it takes place.
Posthumanist Collaborations in Performance presents a novel approach for readers to engage with new materialist performance as a method of qualitative inquiry and as a means of combating the anthropocentric loneliness of modern life.
Originally published in 1984, this book recreates the unique atmosphere of the Restoration playhouses in order to demonstrate how theatrical conditions spurred authors into creating new forms of tragedy, comedy and opera, the techniques of which anticipated the ideas of 'gestus' and 'alienation' first articulated by Bertold Brecht in the 20th century.
The Routledge Handbook of Sound Design offers a comprehensive overview of the diverse contexts of creativity and research that characterize contemporary sound design practice.
The Radical Act of Listening: Making Documenatry and Investigative Theatre explores best practices in the field of Documentary and Investigative theatre and offers readers a how-to guide for making their own work, written by a leading practitioner in the field.
Offering a lively, international, and interdisciplinary introduction to research on arts programmes in prisons, Arts in Criminal Justice and Corrections is the first volume to bring together leading figures from the USA, the UK, Australia, New Zealand, and Belgium to explore key methodological approaches and issues through the lens of the researchers themselves.
Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media - theatre, film and television - and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties.
La soirée avait pourtant bien commencé : Champagne, petits fours saupoudrés de discours soporifiques, un zeste d’amis pressurés et une famille qui mijote en rangs serrés derrière Anne-Gauburge, la fille prodige fraîchement moulue de la faculté de médecine.
The creative and cultural industries (CCIs) are often seen by markets as critical drivers of economic growth and by governments as feasible ways to foster development.
The Stage Manager's Toolkit, Fourth Edition, provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices.
The creative and cultural industries (CCIs) are often seen by markets as critical drivers of economic growth and by governments as feasible ways to foster development.
