This complete companion to the study of drama, theatre and performance studies is an essential reference point for students undertaking or preparing to undertake a course either at university or at drama school.
This book explores the foundation and work of the Entertainments National Service Association (ENSA) and other entertainment organisations such as CEMA and Stars in Battledress.
This book explores the foundation and work of the Entertainments National Service Association (ENSA) and other entertainment organisations such as CEMA and Stars in Battledress.
Body of State offers a translation of Marco Baliani's acclaimed dramatic monologue, Corpo di stato, concerning the 1978 kidnapping and assassination of Italian Prime Minister Aldo Moro by the terrorist Red Brigades.
Embodying Difference: Scripting Social Images of the Female Body in Latina Theatre explores contemporary theatrical productions by Latina dramatists in the United States and focuses on the effects that neoliberal politics, global market strategies, gender formation, and racial and ethnic marginalization have had on Latinas.
Written by Barry Singer-one of contemporary musical theater's most authoritative chroniclers-Ever After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway.
This book provides an epistemology of the body as it relates to subjectivity through an analysis of selected works of Antonin Artaud and Samuel Beckett.
This global anthology offers a constellation of practices, genealogies, contexts, movements, events, artists, theories, and debates around performance art and its meaning, current and future research, and emerging critical discourse.
Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare's stages, Shakespeare's Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides.
This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed.
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays.
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays.
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages.
How Broadway Works celebrates the unsung, out-of-sight people on Broadway who bring a production to the stage and shows young people interested in theater that there are myriad of vocations other than acting.
How Broadway Works celebrates the unsung, out-of-sight people on Broadway who bring a production to the stage and shows young people interested in theater that there are myriad of vocations other than acting.
This exciting new title in the Theatre And series explores how theatre and the environment have informed and continue to inform each other, considering both what theatre can do for the environment and what the environment can do for theatre.
This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies.
From ancient Greek actors to all-male Elizabethan casts to the drag queens of today, cross-dressing performers have been around for nearly as long as live performance itself.
A collection of essays originally presented on the Blackfriars stage at the American Shakesepeare Center, Shakespeare Expressed brings together scholars and practitioners, often promoting ideas that can be translated into classroom experiences.
A collection of essays originally presented on the Blackfriars stage at the American Shakesepeare Center, Shakespeare Expressed brings together scholars and practitioners, often promoting ideas that can be translated into classroom experiences.
From ancient Greek actors to all-male Elizabethan casts to the drag queens of today, cross-dressing performers have been around for nearly as long as live performance itself.
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages.
This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies.
This exciting new title in the Theatre And series explores how theatre and the environment have informed and continue to inform each other, considering both what theatre can do for the environment and what the environment can do for theatre.
Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other.