While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.
While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field.
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field.
This collection of essays, covering a broad historical range, shows that women working in theatre and drama since the time of Aphra Behn have been engaged in pushing the boundaries of conventional representation and dramaturgical convention.
This collection of essays, covering a broad historical range, shows that women working in theatre and drama since the time of Aphra Behn have been engaged in pushing the boundaries of conventional representation and dramaturgical convention.
This book offers a methodological framework for developing research-based Theatre and Dance for the Very Young (TDVY) performances in which artists collaborate with children ages 0-6 and their caregivers and/or educators as creative partners in the process.
This book offers a methodological framework for developing research-based Theatre and Dance for the Very Young (TDVY) performances in which artists collaborate with children ages 0-6 and their caregivers and/or educators as creative partners in the process.
The edited collection, African Urban Creativity: Exploring Creative Economies Within and Beyond the Cities, seeks to contribute to understanding creative economies in Africa, specifically the urban dynamics of creativity and the urbanisation of the creative economy.
This provocative book presents a methodological proposal for teaching ethnographic fieldwork, applying interdisciplinary tools inspired from performance theory, acting, experiential anthropology and existential psychotherapy.
This provocative book presents a methodological proposal for teaching ethnographic fieldwork, applying interdisciplinary tools inspired from performance theory, acting, experiential anthropology and existential psychotherapy.
Screens Producing and Media Operations, Second Edition offers an expert guide to managing video content across live events, installations, and virtual production environments.
James Graham is one of the UK's leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society.
James Graham is one of the UK's leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society.
This book speaks to those interested in where and why Shakespeare's work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare's work.
This book speaks to those interested in where and why Shakespeare's work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare's work.
Directing Desire explores the rise of consent-based and trauma-informed approaches to staging sexually and sensually charged scenes for theater in the contemporary U.
Directing Desire explores the rise of consent-based and trauma-informed approaches to staging sexually and sensually charged scenes for theater in the contemporary U.
Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.
Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.
With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works.
With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works.
This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception.
This book makes the case for Bertolt Brecht's continued importance at a time when events of the 21st century cry out for a studied means of producing theatre for social change.
This book makes the case for Bertolt Brecht's continued importance at a time when events of the 21st century cry out for a studied means of producing theatre for social change.
This ground-breaking book highlights and extends on the increasing number of research and practice collaborations between the disciplines of drama and nursing across the globe.
