Jean Delannoy fut un des cinéastes français les plus importants durant l’Occupation (Pontcarral, L’Eternel Retour) et les années d’après-guerre (La Symphonie pastorale, Aux yeux du souvenir, Le Garçon sauvage).
iPhone boasts a powerful and highly capable camera that is always at the ready, allowing you to document the people, places, and things that surround you.
NFTs de Artes e Colecionáveis para Iniciantes por Chris CollinsO guia obrigatório para compreender os tokens não fungíveis (NFTs)Este guia fala sobre o que são os NFTs e também fornece um breve histórico de seu surgimento.
A fascinating introductory volume, Existential Psychoanalysis: A Contemporary Introduction integrates existential philosophy with psychoanalysis, drawing on key theorists from both areas and expertly guiding the reader on how to incorporate these two disciplines, which may appear disparate on the surface, into their clinical and theoretical work.
From Lucretius's horror loci and Buddhist drowsiness to the religious boredom of acedia and the philosophical explorations of Kant, Schopenhauer, Kierkegaard, and Heidegger, boredom has long been a subject of philosophical fascination.
A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas's Star Wars and The Empire Strikes Back, Brian De Palma's Carrie and Mission: Impossible, Herbert Ross's Footloose and Steel Magnolias, John Hughes's Ferris Bueller's Day Off and Planes, Trains & Automobiles, Joel Schumacher's Falling Down, and Taylor Hackford's Ray.
A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last fifty years by Paul Hirsch, a film editor who worked on more than forty features.
Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.
Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s.
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s.
Working extensively as both artist and scientist, Aldo Giorgini (1934-1994) was one of the first computer artists to combine software writing with early printing technologies.
This book presents contemporary studies in qualitative psychotherapeutic research, examining their effectiveness in developing psychotherapeutic innovation and imagination.
Augmented Reality: Innovative Perspectives Across Art, Industry, and Academia includes a mix of critical/theoretical essays from humanities scholars, augmented reality (AR) artwork (with accompanying reflections) by leading digital artists, and interviews with AR software developers and other industry insiders.
Equal parts memoir, mystery, reclaimed screenplay, and travelogue, Reel Bay charts Jana Larsons unusual journey toward understanding another woman's life.
The Great Convergence explores the existential foundations of human consciousness and the deep existential dimensions of reality, as well as their connection to the concept of The Creator.
With its rich political and literary history, Dublin is a sought after destination for cinematographers who have made use of the city's urban streetscapes and lush pastoral settings in many memorable films - among them Braveheart, The Italian Job and the 2006 musical drama Once.
Since the release of his first feature in 1996, Alejandro Amenabar has become the 'golden boy' of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success.
In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds.
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'.
This book provides a scholarly yet accessible account of the work of Marcel Carne, one of the great directors of classical French cinema and the key figure behind the poetic realist film movement of the 1930s.
In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man!
