Der Künstler, Bildhauer und Maler Thomas Schönauer kreiert außergewöhnliche Edelstahl-Skulpturen, die er »Cultivator« nennt, als ideale Form zur Verbindung von Raum und Fläche, also 3D und 2D, so dass ein kohärentes Ganzes für den öffentlichen und privaten Raum entsteht.
A study of Kusama''s era-defining work, a “sublime, miraculous field of phalluses,” against the background of abstraction, eroticism, sexuality, and softness.
The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin's Confluence Project through the lens of environmental humanities and Indigenous studies.
The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin's Confluence Project through the lens of environmental humanities and Indigenous studies.
Autorinnen wie Virginia Woolf, Marlen Haushofer, Ingeborg Bachmann und Elfriede Jelinek sowie Künstlerinnen wie Birgit Jürgenssen, Francesca Woodman, Monica Bonvicini, Veruschka von Lehndorff, Orshi Drozdik und Gabriele Stötzer haben sich in ihren Texten, Fotografien und (Video-)Installationen auffallend häufig mit dem vieldeutigen Motiv der Wand auseinandergesetzt, indem sie ihr eigenes Verschwinden in Szene gesetzt, sich an Wänden abgearbeitet oder sie zu Projektions- oder Schreibflächen erklärt haben.
Genomprojekte, Mensch-Maschinen-Schnittstellen in der Robotik und Nanotechnik, eine erstarkende posthumanistische Ethik sowie eine Biopolitik, die auch Tiere als Akteur*innen ernst nimmt, erfordern neue Theorien des Tierexperiments.
Vor dem Hintergrund von Animal Studies und New Materialism fokussiert Mit Tieren denken zeitgenössische künstlerische Arbeiten, die lebende Tiere inszenieren, und fragt, wie Tiere Kunstwerke verändern.
Innerhalb der "Schwesterkünste", von denen Brecht sprach, hat sich das Bühnenbild in letzter Zeit einen souveränen Schauwert erarbeitet und nach allen Seiten geöffnet.
A study of Kusama''s era-defining work, a “sublime, miraculous field of phalluses,” against the background of abstraction, eroticism, sexuality, and softness.
Fok focuses on the ways in which these artists use their own bodies, animals' bodies and other corporeal substances to represent life and death in performance art, installations, and photography.
The art of public structure is nearly as old as society itself, and its figurative representations (and gaps) represent deep wells of insight into culture.
Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings.
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form.
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form.
Drawing especially on the encounters and relationships that defined her exceptional career, The Sustainable Legacy of Agn s Varda outlines a sustainable legacy for the celebrated director and visual artist.
Drawing especially on the encounters and relationships that defined her exceptional career, The Sustainable Legacy of Agn s Varda outlines a sustainable legacy for the celebrated director and visual artist.
This book investigates the notion of beauty in participatory art, an interdisciplinary form that necessitates the audience's agential participation and that is often seen in interactive art and technology-driven media installations.
This book investigates the notion of beauty in participatory art, an interdisciplinary form that necessitates the audience's agential participation and that is often seen in interactive art and technology-driven media installations.
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art.
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art.
Form, Art and the Environment: Engaging in Sustainability adopts a pluralistic perspective of environmental artistic processes in order to examine the contributions of the arts in promoting sustainable development and culture at a grassroots level and its potential as a catalyst for social change and awareness.
Form, Art and the Environment: Engaging in Sustainability adopts a pluralistic perspective of environmental artistic processes in order to examine the contributions of the arts in promoting sustainable development and culture at a grassroots level and its potential as a catalyst for social change and awareness.
