In a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others.
Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms.
Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the "e;comfort women,"e; the Japanese military's euphemism for the sexual enslavement of girls and young women-mostly Korean-in the years before and during World War II.
Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the "e;comfort women,"e; the Japanese military's euphemism for the sexual enslavement of girls and young women-mostly Korean-in the years before and during World War II.
Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms.
In a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others.
Religion, Performances, and Democracy examines how religion has profoundly influenced the socio political and cultural landscape of South Asia, shaping identities, public and private spaces, and social relationships over centuries.
Religion, Performances, and Democracy examines how religion has profoundly influenced the socio political and cultural landscape of South Asia, shaping identities, public and private spaces, and social relationships over centuries.
This study describes and applies the pedagogical method of the actor, director, and dramatic theorist, Michael Chekhov (1891-1955), as a unique phenomenon in the broader context of modern theatre history.
This study describes and applies the pedagogical method of the actor, director, and dramatic theorist, Michael Chekhov (1891-1955), as a unique phenomenon in the broader context of modern theatre history.
This study describes and applies the pedagogical method of the actor, director, and dramatic theorist, Michael Chekhov (1891-1955), as a unique phenomenon in the broader context of modern theatre history.
Mass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea.
Mass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea.
A wide-ranging, future-focused study from a variety of cultural and academic perspectives, this illustrated book brings together a range of internationally recognised scholars committed to mapping and unpacking the political, historical, affective, and aesthetic dimensions of madness and mental distress in literary and visual cultures.
A wide-ranging, future-focused study from a variety of cultural and academic perspectives, this illustrated book brings together a range of internationally recognised scholars committed to mapping and unpacking the political, historical, affective, and aesthetic dimensions of madness and mental distress in literary and visual cultures.
Studienarbeit aus dem Jahr 2021 im Fachbereich Kunst - Installationen, Aktionskunst, 'moderne' Kunst, Note: 1, Justus-Liebig-Universität Gießen (Kunstpädagogik), Veranstaltung: Was ist Kunst?
Akademische Arbeit aus dem Jahr 2020 im Fachbereich Kunst - Sonstiges, Note: 1,0, Universität Koblenz-Landau, Sprache: Deutsch, Abstract: Diese Arbeit beschäftigt sich mit der Frage, welches Potenzial Performance Art bietet, um ästhetische Erfahrungen zu machen.
In How to Understand Theatre Audiences, Kirsty Sedgman offers a bold rethinking of what it means to watch, experience, and make meaning from live performance.
In How to Understand Theatre Audiences, Kirsty Sedgman offers a bold rethinking of what it means to watch, experience, and make meaning from live performance.
This book offers a groundbreaking investigation into issues of gender, power and the representation of sovereignty in French Baroque court ballet and in today's performances that recall them.
This book offers a groundbreaking investigation into issues of gender, power and the representation of sovereignty in French Baroque court ballet and in today's performances that recall them.
Robot Theaters explores the fascinating theatrical nature of robots and their unique capacity to illuminate human performativity through their own machinic performances.
This anthology examines non-professional performance in cinema, exploring how "e;ordinary people"e; challenge dominant theories of film acting across fiction, documentary, and realist media aesthetics.
This anthology examines non-professional performance in cinema, exploring how "e;ordinary people"e; challenge dominant theories of film acting across fiction, documentary, and realist media aesthetics.
This global anthology offers a constellation of practices, genealogies, contexts, movements, events, artists, theories, and debates around performance art and its meaning, current and future research, and emerging critical discourse.
The Philosophy of Theatre, Drama and Acting is the ideal collection for students and scholars of aesthetics, theatre studies and the philosophy of art.