Of all species, human beings are uniquely capable of coordinating on long-term, large-scale cooperative projects with unfamiliar and genetically unrelated others.
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.
Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender.
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley's technological revolutions in the 1970s.
Structural Existential Analysis (SEA) is a qualitative research method which uses an existential-phenomenological framework that has been developed through decades of therapeutic and research practice.
This book analyses how women navigate their personal worlds during a life stage of intense changes and ruptures, within a complex and rapidly changing sociocultural context of a post-socialist society.
Structural Existential Analysis (SEA) is a qualitative research method which uses an existential-phenomenological framework that has been developed through decades of therapeutic and research practice.
This book analyses how women navigate their personal worlds during a life stage of intense changes and ruptures, within a complex and rapidly changing sociocultural context of a post-socialist society.
Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender.
Este volumen, que reune textos de 17 autores, traza varias trayectorias en el estudio del performance, no solo en cuanto a practicas artisticas sino a los multiples ambitos en que se da: politica, deporte, religion, actos civicos, y en cuanto a la teoria que se elabora a su alrededor.
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.
Bestimmt man radikal phänomenologisch die Kultur als Subjekt wie Objekt ihrer selbst, dann beinhaltet dies eine jeweils gegebene Unmittelbarkeit des Lebens als Originarität aller subjektiv kulturellen Vollzüge.
Bestimmt man radikal phänomenologisch die Kultur als Subjekt wie Objekt ihrer selbst, dann beinhaltet dies eine jeweils gegebene Unmittelbarkeit des Lebens als Originarität aller subjektiv kulturellen Vollzüge.
This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy.
Teaching Dance Improvisation serves as an introduction to, and a springboard for the author's theories, practices, and curriculum building of dance improvisation as a technique.
Winner of the Barbara Jelavich Book Prize 2023"e;I am Jugoslovenka"e; argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation.
This book is the first definitive publication to consider the intersections of applied theatre and the Sustainable Development Goals (SDGs) - a series of goals which have shaped development and social justice initiatives from 2015 to 2030.
Set in the Northern English City of Leeds, in the midst of Liz Truss' 49 days in office, what we are now calling The Cost of Living Crisis emerges as the most recent incantation of economic decline.
