Ami de Jules Massenet, de Camille Saint-Saëns et de Théodore Dubois, Charles Lenepveu a laissé des œuvres élégantes et traditionnelles qui touchent à tous les genres de l’art musical.
This collection explores our fascination with homes across time, cultures, and disciplines while unpacking the relationship between private yearning and public belonging, illustrating the limitations and fluidity of identity and affiliation through the idea of homes and ancestral homelands.
This book brings together a range of arts and development scholars and practitioners to explore the unique ways in which arts-based research methods can make a unique positive contribution to effective global development practice.
A rare grimoire of lunar folklore, myth, and legend, Moon Lore explores the cultural and historical significance of the Moon, offering astronomical, spiritual, and astrological insight.
The renaissance of fine art in Europe is attributed to the interest in studying its effects from the Greek and Roman civilizations, but the successive wave of life soon stripped the production of art - since the seventeenth century - of its effects from superficiality, so that it became a stroke of stereotyping, without understanding its human goals or delving into its latent essence.
Preachers, worship leaders, and actors are all trying to do one thing: make the words on the page come alive, making the texts of their respective authors "e;flesh"e; in real time and space.
Women, Fertility, and Maternal Art in Renaissance Florence examines maternity-centered art to reveal women's crucial function in saving Florence from a depopulation catastrophe.
Ethics of Contemporary Collecting addresses pressing and pertinent issues around ethical contemporary collecting, reflecting on how practices are evolving or in flux.
This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.
For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee.
Computing is revolutionizing the creative process, transforming how designers approach ideation, prototyping, fabrication, communication, and representation.
La edición del presente libro completa el proyecto "Patrimonio Eduardo Vilches", iniciado el año 2022 con el rector Ignacio Sánchez, la Escuela de Arte y Eduardo.
The Social Value of Art (1939) is a thorough examination of art activity, using the knowledge of the workings of the mind and of the attractions of pleasure.
Named one of the New York Times Best Wine Books of 2023Named one of the Washington Post's Best Wine Books of 2023In the late 1980s, while working for his family's real estate and parking business in Washington, DC, Alex received a life-changing case of wine as a gift that uncorked a new opportunity.
Borsa Valori per principianti: come acquisire le conoscenze necessarie nel più breve tempo possibile, per costruire asset affidabili, a lungo termine e generare il massimo rendimento, comprese istruzioni facili ma dettagliate, liste di controllo e spiegazioni minuziose dei termini.
By the early 13th century the use of seals in Northern Europe was a generalized phenomenon which involved society as a whole, crossing boundaries of gender, age, religion, and social and professional status.
The Social Value of Art (1939) is a thorough examination of art activity, using the knowledge of the workings of the mind and of the attractions of pleasure.
Plongez-vous dans l'histoire riche et mystérieuse des geishas avec notre dernier livre : "L'histoire des geishas au Japon - Une excursion à travers l'histoire culturelle du Japon".
Interior Technicity: Unplugged and/ or Switched On invites reflection on how interiors have always been augmenting entities and how they continue to be so-in other words, extending, facilitating and consolidating bodies within socio-cultural environments.
