Join artist, author, and popular online art teacher Ana Victoria Calderonto learn simple painting techniques that will help you cultivate your creative flow and create beautiful art.
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships.
Haltung und Affekt bezeichnen zwei unterschiedliche Verhältnisse der Subjekte ihrer Welt gegenüber, die in der europäischen Mentalitäts-, Ideen- und Kunstgeschichte immer wieder diskutiert und zum Teil scharf gegeneinander abgegrenzt worden sind.
Frauenstiftskirchen des Mittelalters wiesen eine spezifische Sakraltopografie auf, da die Separierung der Frauen von männlichen Geistlichen und der Pfarrgemeinde gewährleistet sein musste.
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia.
Die Kenntnis der Mythen antiker Götter- und Heldengestalten spielte stets eine gewisse, nicht selten eine maßgebliche Rolle in kreativen Prozessen des Mittelalters, im Bereich der literarischen wie in dem der visuellen Kultur.
Before the tragedy of the Holocaust, many of the leading art and antiques dealers across Europe were Jewish, establishing dynamic cross-Channel, international and transatlantic networks.
The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history - a subject which has not yet been undertaken in a book-length study.
Olga von Boznańska (1865–1940) und Otolia Gräfin Kraszewska (1859–1945) gehören der ersten Generation von Künstlerinnen an, die professionell tätig waren und damit auch teilweise ihren Lebensunterhalt selbst bestritten.
In William Blake's 'America a Prophecy (Illustrated Edition)', the author delves into the complex themes of revolution and spiritual awakening, set against the backdrop of the American Revolution.
Wurden Rahmengestaltungen in der Forschung zur mittelalterlichen Buchkunst bisher vor allem in Bezug auf das Seitenlayout diskutiert, widmet sich Kristin Böse dem Verhältnis von rahmender Seitengestaltung und dem Buch als Ganzem.
* A masterclass in all kinds of watercolour media, including pencil and paints Inspiring variety of subjects and styles Successful, proven author; highly motivated and available for demonstration work.
What I hope this timely and fascinating book does is to take the reader beyond the lurid interest in art by society's outcasts, to discovering the hugely positive role art plays in prison life - Grayson Perry.
A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art.
This edited book contests that if design's raison d'etre is to make things better, then the object of design has always been, remains and can only be a changed world and our relationship to it - the world-for-us.
Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garcia Marquez and Vargas-Llosa, and his compatriot, Cabrera-Infante.
A major reassessment of the methods and meaning of impressionismAt pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friend's, and paint the same scene.
This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative.
A critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history.
A critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history.
