Dieses Notizbuch erlaubt einen intimen Einblick in den Entstehungsprozess der Texte der österreichischen Psychoanalytikerin Melanie Klein (1882–1960) anhand des in Auszügen faksimilierten Manuskripts zu ihrer Abhandlung Über Identifizierung aus dem Jahr 1955.
Der Künstler Francesco Matarrese unternimmt in diesem Notizbuch eine Neulektüre von zwei Texten der Moderne: In einer »extremen Begegnung« stellt er Recentness of Sculpture (Neuerdings die Skulptur) des amerikanischen Kunstkritikers Clement Greenberg von 1967 einem Auszug aus Lotta contro il lavoro!
Der Philosoph Graham Harman wiederholt das bekannte Gleichnis Sir Arthur Stanley Eddington aus dem Jahre 1927 der » zwei Tische « : den vertrauten » Tisch des täglichen Lebens « und dessen Nebenbuhler, den »wissenschaftlichen Tisch « der Physik.
Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices-spanning design, art, and architectural history; design studies; curation; poetry; activism; and social sciences--to interrogate the intersections of design and displacement.
Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices-spanning design, art, and architectural history; design studies; curation; poetry; activism; and social sciences--to interrogate the intersections of design and displacement.
Reknowned for her techniques for painting light on water, Jenny Aitken delivers perfect guidance to the intermediate artist on how to paint light in plein air and much more.
Das Urbild der Demokratie bildet die Verfassung Athens vom fünften bis zum dritten vorchristlichen Jahrhundert – eine überwiegend direkte Demokratie, die den Bürgern ein Maximum an Mitwirkungsmöglichkeiten einräumte.
From Cognitive Teaching to Connected Learning Given the landscape of global Christianity and the variety of approaches to theological and missiological training today, how do we equip the global church for the mission of God?
A celebration of the remarkable poem vessels of Dave the PotterDavid Drake, who often signed his work simply as "e;Dave,"e; was an enslaved potter who lived and worked in Edgefield District, South Carolina.
Die technologische Entwicklung der letzten Jahre bedingt eine tiefgreifende Veränderung der Wahrnehmungsverhältnisse, womit die Anforderungen an die Kompetenz der visuellen Wahrnehmungsfähigkeiten enorm gestiegen sind.
Co-Creative Placekeeping in Los Angeles is a novel examination of Los Angeles-based socially engaged art (SEA) practitioners' equitable placekeeping efforts.
Co-Creative Placekeeping in Los Angeles is a novel examination of Los Angeles-based socially engaged art (SEA) practitioners' equitable placekeeping efforts.
Julius von Schlosser (1866-1938) ist eine der großen Figuren der Kunstgeschichte und darf neben Alois Riegl (1858-1905) als einflussreichster Vertreter der Wiener Schule gelten.
In diesem Band von Tierstudien geht es um die verschiedenen Ebenen der vergeschlechtlichten Beziehung von Menschen zu anderen Tieren, aber auch anderer Tiere untereinander.
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs.
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs.
This summary essay and the heavily annotated bibliography covering the period from the first colonization to 1826 are primarily intended to aid the scholar and student by suggesting areas of further study and ways of expanding the conventional interpretations of early American history.
This book brings together a selection of articles that have been published throughout a series of special issues of the journal Critical Arts: South-North Cultural and Media Studies that originally focused on the so-called 'ethnographic turn' in contemporary arts.
In critical yet appreciative dialogue with four different art critics who demonstrated theological sensitivities, Adam Edward Carnehl traces an ongoing religious conversation that ran through nineteenth-century aesthetics.
Die Briefe der Malerin Julie Hagen Schwarz (1824–1902) gehören zu den seltenen erhaltenen Zeugnissen einer nach Profession strebenden Künstlerin der Jahrhundertmitte.
This volume is the first joint publication of the members of the American-Egyptian mission South Asasif Conservation Project, working under the auspices of the State Ministry for Antiquities and Supreme Council of Antiquities, and directed by the editor.
How Art Is Made looks at renowned works of art from across the centuries and around the globe and asks the intriguingly simple question how were these works actually made?
This book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies.
In 1967, Sir David Khalili finished his military service in Iran and travelled to study in the United States with $750 - his remaining royalties from a book he wrote when he was just 14.
This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists.
This book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies.
This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists.
Jacopo de' Barbari's View of Venice, a woodcut first printed in the year 1500, presents a bird's-eye portrait of Venice at its peak as an international hub of trade, art, and culture.
This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with.
"El elemento central que atraviesa a los artistas que figuran en este libro es que han sido transformados por la guerra", subraya el periodista y editor de CNN en Español, Germán Padinger, y completa: "sus transformaciones han sido públicas y han tenido un impacto en sus comunidades y en sus obras".
This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with.
