Computing is revolutionizing the creative process, transforming how designers approach ideation, prototyping, fabrication, communication, and representation.
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years.
Socially Sustainable Neighbourhood Design for Children and Youth explores social sustainability in neighbourhood design, with a particular focus on providing practical design recommendations to improve the lives of children and youth.
Dieses Buch bietet zehn Andachten fur Feste im Kirchenjahr sowie jahreszeitlich orientierte Feiern - einsetzbar in Gemeinden, Pflegeheimen und Demenzwohngruppen.
Home invasion narratives have been around nearly as long as cinema itself, popularized by the silent era's "e;race-to-the-rescue"e; movies and classic Hollywood's "e;gangster raid"e; films, and influenced by the slasher and stalker sub-genres.
* A masterclass in all kinds of watercolour pencils Complete course from first principles to your first masterpiece Packed with dozens of examples and hundreds of invaluable guide notes
"Great wits jump" - Originelle Geister vollführen Gedankensprünge: Für Sterne ist dieser Anspruch zugleich seine ästhetische Grundüberzeugung, denn ungewöhnliche Assoziationen können verschüttete oder schamhaft verschwiegene Gedanken blitzartig erhellen.
Ominous Homelands in World Cinema examines contemporary films from a range of national settings that expose and critically engage with representations of "e;Homeland"e; - a term that resurfaced with renewed intensity in the United States through the establishment of the Department of Homeland Security after 9/11 and gained traction across Europe, contributing to the formation of new securitarian configurations whose impact has resonated globally.
Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films.
Dass Kritik nach dem Ende der großen Geschichte(n) weder als Lehre noch als Aufklärung, sondern als Reflexiv- und Problematisch-Werden von Entscheidungsprozeduren und Urteilsformen gedacht werden kann, souffliert Alexander Kluges Kunst- und Medienarbeit seit den frühen 60er-Jahren.
