The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest.
Livius stellt in der ersten Pentade seines Geschichtswerks die Geschichte der Stadt Rom und ihrer unmittelbaren Umgebung von der Gründung bis zum Jahr 390 v.
Livius stellt in der ersten Pentade seines Geschichtswerks die Geschichte der Stadt Rom und ihrer unmittelbaren Umgebung von der Gründung bis zum Jahr 390 v.
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume's contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions.
It is now considered one of Aristophanes' most brilliant parodies of Athenian society, with a particular focus on the subversive role of women in a male-dominated society, the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon, and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus.
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped.
A provocative case for why immortalizing Greek and Roman culture as ';classical' marginalizes and devalues Black lifeGreek and Roman antiquity has been enshrined in disciplines and curricula at all levels of education, perpetuating what the historian of political thought J.