Questa edizione contiene il testo greco degli scholia (vetera e recentiora) e delle glosse all'Andromacha di Euripide con un apparato critico e un apparato di loci similes.
In earlier scholarship, the late antique medical compilations of Oribasius of Pergamon, Aetius of Amida and Paul of Aegina were rather neglected and were believed to add nothing new themselves to what Galen, in particular, had to say.
Ancient epistolary fiction is a still largely under-explored field of research, at the intersection of studies on epistolography and on pseudepigraphy.
Things themselves touch not the soul, not in the least degree; nor have they admission to the soul, nor can they turn or move the soul: but the soul turns and moves itself alone, and whatever judgments it may think proper to make, such it makes for itself the things which present themselves to it.
One of the best written and most amusing treatises of antiquity is Lucian's True History, forming a rather long narrative in two books, which suggested Swift's Gulliver's Travels, Rabelais's Voyage of Pantagruel and Cyrano de Bergerac's Journey to the Moon.
The Anabasis is his story of the march to Persia to aid Cyrus, who enlisted Greek help to try and take the throne from Artaxerxes, and the ensuing return of the Greeks, in which Xenophon played a leading role.
The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest.
Volume I of Franco Montanari's "e;Kleine Schriften"e; comprises some 66 papers on ancient scholarship, a topic which he decisively helped establishing as an extremely important field of study; they include general surveys of Alexandrian and Pergamene philology, major contributions to ancient Homeric scholarship (with a particular emphasis on Aristarchus), ancient scholarship on Hesiod and Aeschylus, as well as an important number of editions and notes on papyrological scholarly texts.
This book investigates the complex reception of Terence in Ovid and a number of allusions to the Terentian comedies in the love elegies and the exilic elegiac epistle Tristia 2.
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume's contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions.
It is now considered one of Aristophanes' most brilliant parodies of Athenian society, with a particular focus on the subversive role of women in a male-dominated society, the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon, and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus.
