George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together.
How the conscience in early modern England emerged as a fulcrum for public action Bold Conscience chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint-what Shakespeare labels "e;coward conscience"e;-to one of bold and forthright self-assertion.
Empress Catherine II produced a body of written material so vast and diverse that it seems impossible to provide a general characterization of the works contained in the authoritative twelve-volume collection assembled by A.
La publicación forma parte de la Monumenta Landivariana, serie mayor, cuyo objetivo es ofrecer estudios generales y especializados en torno a la obra poético-literaria de Rafael Landívar.
Culture and Language at Crossed Purposes unpacks the interpretive problems of colonial treaty-making and uses them to illuminate canonical works from the period.
This book provides compelling new readings of William Blake's poetry and art, including the first sustained account of his visionary paintings of Pitt and Nelson.
This book argues that the most interesting depictions of blindness in French fiction are those which call into question and ultimately undermine the prevailing myths and stereotypes of blindness which dominate Western thought.
This book explores how human interaction in the frontier zones of the early modern Mediterranean was represented during the period, across genres and languages.
This book provocatively argues that much of what English writers of the seventeenth, eighteenth and nineteenth centuries remembered about medieval English geography, history, religion and literature, they remembered by means of medieval and modern Scandinavia.
Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen.
This volume is a study of the interdisciplinary nature of prison escape tales and their impact on European cultural identity in the eighteenth century.
By focusing on one literary character, as interpreted in both verbal art and visual art at a point midway in time between the author's era and our own, this study applies methodology appropriate for overcoming limitations posed by historical periodization and by isolation among academic specialities.
The Ladies of Llangollen is the first book length critical study of Lady Eleanor Butler and Miss Sarah Ponsonby, whose 1778 elopement and five decades of ';retirement' turned them into eighteenth century celebrities and pivotal figures in the historiography of female same-sex desire.
The standard analytical approach to teaching Shakespeare does not tend to help students understand the theatricality of the Bard's plays and can leave them with an overly dry, disconnected view of Shakespeare.
Shakespeare and Spenser: Attractive opposites is a much-needed volume that brings together ten original papers by experts on the relations between Spenser and Shakespeare.
This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality.
This book argues for the importance of blasphemy in shaping the literature and readership of Percy Bysshe Shelley and of the Romantic period more broadly.
This book is an anthology of extracts of literary writing (in prose, verse and drama) about London and its diverse inhabitants, taken from the accession of Queen Elizabeth I in 1558 to the outbreak of the Great War in 1914.
This book assesses the mediating role played by 'affections' in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form.
The Agency of Objects in English Prose, 1789-1832: Conspicuous Things engages with new materialist methodologies to examine shifting perceptions of nonhuman agency in English prose at the turn of the nineteenth century.
This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Holderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron.
This book examines the intersections between the ways that marriage was represented in eighteenth-century writing and art, experienced in society, and regulated by law.
Data Visualization in Enlightenment Literature and Culture explores the new interpretive possibilities offered by using data visualization in eighteenth-century studies.
Gothic Romanticism: Wordsworth, Architecture, Politics, Form offers a revisionist account of both Wordsworth and the politics of antiquarianism in the late eighteenth and early nineteenth centuries.
British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers' attitudes towards, and portrayals of, Modern Greece.
Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood.
This book frames British Romanticism as the artistic counterpart to a revolution in subjectivity occasioned by the rise of "e;The Rule of Law"e; and as a traumatic response to the challenges mounted against that ideal after the French Revolution.
This book brings to the foreground the largely forgotten "e;Fancy"e; of the seventeenth and eighteenth centuries and follows its traces as they extend into the nineteenth and twentieth.
This book is a thorough, eco-critical re-evaluation of Lord Byron (1789-1824), claiming him as one of the most important ecological poets in the British Romantic tradition.
This book addresses the function of the classical world in the cultural imaginations of the second generation of romantic writers: Percy Shelley, Mary Shelley, Thomas Love Peacock, John Keats, Leigh Hunt, and the rest of their diverse circle.
David Bowie and Romanticism evaluates Bowie's music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists.
Inventing the Gothic Corpse shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device.
