Shakespeare and Disability Studies argues that an understanding of disability theory is essential for scholars, teachers, and directors who wish to create more inclusive and accessible theatrical and pedagogical encounters with Shakespeare's plays.
A collection of pedagogical essays that presents proven strategies for the teaching of adaptation and eighteenth-century textsThe eighteenth century was a golden age of adaptation: classical epics were adapted to contemporaneous mock-epics, life writing to novels, novels to plays, and unauthorized sequels abounded.
Stephen Greenblatt's Will in the World is widely recognised to be the fullest and most brilliant account ever written of Shakespeare's life, his work and his age.
This book questions when exactly the Anthropocene began, uncovering an "e;early Anthropocene"e; in the literature, art, and science of eighteenth- and nineteenth-century Britain.
Scholarly interest in 'the Irish Gothic' has grown at a rapid pace in recent years, but the debate over exactly what constitutes this body of literature remains far from settled.
Whether the apocalyptic storm of King Lear or the fleeting thunder imagery of Hamlet, the shipwrecks of the comedies or the thunderbolt of Pericles, there is an instance of storm in every one of Shakespeare's plays.
No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven.
Examining the work of three authors: Richardson, Haywood and Burney, and their representation of domestic space, this book argues that to make such spaces accessible to modern readers they need to have information of the real domestic.
In 1345, when Petrarch recovered a lost collection of letters from Cicero to his best friend Atticus, he discovered an intimate Cicero, a man very different from either the well-known orator of the Roman forum or the measured spokesman for the ancient schools of philosophy.
Gothic Romanticism, winner of the 2010 MLA Prize for Independent Scholars, is a study of the relationship between British Romanticism and the Gothic Revival.
This book is an anthology of extracts of literary writing (in prose, verse and drama) about London and its diverse inhabitants, taken from the accession of Queen Elizabeth I in 1558 to the outbreak of the Great War in 1914.
Hamlet's Moment identifies a turning point in the history of English drama and early modern political culture: the moment when the business of politics became a matter of dramatic representation.
This book argues that Romantic-era writers used the figure of the minstrel to imagine authorship as a social, responsive enterprise unlike the solitary process portrayed by Romantic myths of the lone genius.
Unsettled Toleration: Religious Difference on the Shakespearean Stage historicizes and scrutinizes the unstable concept of toleration as it emerges in drama performed on the Elizabethan and Jacobean stages.
A comprehensive guide to the poems, prose, biography, ideas and contexts of Byron, entries range from detailed coverage of the major poems to items on Byron's songs, conversation, interest in boxing, swimming and vampires, and sexual liaisons; also the 'Byronic Hero', Byron in fiction and drama, and his pervasive influence on subsequent literature.
A new literary history that places women writers at the center of poetic theory and practice in English literature of the sixteenth and seventeenth centuries Many of the terms we use today to describe poetic style originated in the early modern period: original ideas, feminine rhyme, irregular rhythm, smooth verse.
The first in-depth examination of the texts produced in English Benedictine convents between 1600 and 1800 After Catholicism became illegal in England during the sixteenth century, Englishwomen established more than twenty convents on the Continent that attracted thousands of nuns and served as vital centers of Catholic piety until the French Revolution.
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries.
Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease.
A constellation of new essays on authorship, politics and history, British Women's Writing in the Long Eighteenth Century: Authorship, Politics and History presents the latest thinking about the debates raised by scholarship on gender and women's writing in the long eighteenth century.
This is the first volume to offer a critical overview of the long and complicated history of translations of Virgil from the early modern period to the present day, transcending traditional studies of single translations or particular national traditions in isolation to offer an insightful comparative perspective.