While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson's vision as a whole.
Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama.
Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama.
In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises.
In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises.
One of the greatest playwrights of his time, Wilde was also a novelist, poet, essayist and celebrated wit, noted for his involvement in the art movement Aestheticism.
This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.
Shakespeare and Renaissance Ethics examines representations of moral choice in Shakespeare''s plays, focusing on intellectual history, Montaigne, and Christian ethics.
This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.
Shakespeare and Renaissance Ethics examines representations of moral choice in Shakespeare''s plays, focusing on intellectual history, Montaigne, and Christian ethics.
Examines the engagement of Aristophanes'' Thesmophoriazusae with Parmenidean philosophy to issue a political critique of tragic deception and its effects.
Examines the engagement of Aristophanes'' Thesmophoriazusae with Parmenidean philosophy to issue a political critique of tragic deception and its effects.
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare''s burgeoning reputation in the eighteenth century.