Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries.
Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries.
This book begins with the malignant taunts of Robert Greene and the adulatory remarks of Christopher Marlowe's friends and literary associates, and ends with the abrasive comments of the younger G.
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre.
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre.
This book begins with the malignant taunts of Robert Greene and the adulatory remarks of Christopher Marlowe's friends and literary associates, and ends with the abrasive comments of the younger G.
Lorca in English examines the evolution of translations of Federico Garcia Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation.
Lorca in English examines the evolution of translations of Federico Garcia Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation.
This book critically analyzes the body of English language translations Moliere's work for the stage, demonstrating the importance of rhyme and verse forms, the creative work of the translator, and the changing relationship with source texts in these translations and their reception.
This book critically analyzes the body of English language translations Moliere's work for the stage, demonstrating the importance of rhyme and verse forms, the creative work of the translator, and the changing relationship with source texts in these translations and their reception.
Household Servants in Early Modern Domestic Tragedy considerably advances existing scholarship on the institution of service in early modern culture and as represented on the early modern stage.
Household Servants in Early Modern Domestic Tragedy considerably advances existing scholarship on the institution of service in early modern culture and as represented on the early modern stage.
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious.
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious.
This carefully crafted ebook: "e;Fyodor Dostoyevsky: Memoirs, Letters and Autobiographical Works"e; is formatted for your eReader with a functional and detailed table of contents.
Within the last generation, Canadian drama, like other literary forms, has seen the emergence of works by women that re-vision the role of women in history.
A popular crowd-pleaser in the late 16th and mid-17th century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise.
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of 'the contemporary'.
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of 'the contemporary'.
A popular crowd-pleaser in the late 16th and mid-17th century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise.
John McGrath's plays are compulsory reading and viewing for students of drama, film and television courses in many University and Further Education departments and yet despite recognition of the central importance of McGrath's work, very little has been written about him.
Discussing the actor mutiny of 1733, theatre censorship, controversial plays and Fielding's forgery of an actor's biography, the book contends that some subversive Augustan and Georgian artists were early Brechtians.
Discussing the actor mutiny of 1733, theatre censorship, controversial plays and Fielding's forgery of an actor's biography, the book contends that some subversive Augustan and Georgian artists were early Brechtians.
From the authors of the successful Grand-Guignol and London's Grand Guignol - also published by UEP this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.
From the authors of the successful Grand-Guignol and London's Grand Guignol - also published by UEP this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.
Forms of Conflict is a full-length study of the representation of contemporary warfare on the British stage and investigates the strategies deployed by theatre practitioners in Britain as they meet the representational challenges posed by the 'new wars' of the global era.
Forms of Conflict is a full-length study of the representation of contemporary warfare on the British stage and investigates the strategies deployed by theatre practitioners in Britain as they meet the representational challenges posed by the 'new wars' of the global era.
"e;The evil that men do"e; has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater.
Tracing more than two centuries of history, Shakespeare in Montana uncovers a vast array of different voices that capture the state's love affair with the world's most famous writer.
Jean Toomer (1894-1967) was a modernist writer, a member of the Harlem Renaissance, and briefly part of the literary and artistic community that grew up around Mabel Dodge Luhan in Taos, New Mexico.
Even before Harold Bloom designated Blood Meridian as the Great American Novel, Cormac McCarthy had attracted unprecedented attention as a novelist who is both serious and successful, a rare combination in recent American fiction.
