Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England.
Originally published in 1987, "e;Fanned and Winnowed Opinions"e; celebrates the scholarship of Professor Harold Jenkins, one of this century's foremost editors and critics of Shakespeare.
This book makes a significant contribution to recent scholarship on the ways in which women responded to the regulation of their behavior by focusing on representations of women speakers and their audiences in moments Smith identifies as "e;scenes of speech.
While many scholars in Shakespeare and Religious Studies assume a secularist viewpoint in their interpretation of Shakespeare's works, there are others that allow for a theologically coherent reading.
In Shakespeare, Adaptation, Psychoanalysis, Matthew Biberman analyzes early adaptations of Shakespeare's plays in order to identify and illustrate how both social mores and basic human psychology have changed in Anglo-American culture.
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship.
This volume explores the relationship between the emphasis on performance in Elizabethan humanist education and the flourishing of literary brilliance around the turn of the sixteenth century.
Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to re-examine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways.
Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation.
Shakespeare's last plays, the tragicomic Romances, are notoriously strange plays, riddled with fabulous events and incredible coincidences, magic and dream.
Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare's texts on stage and screen engage with violent events and histories.
The Problem Plays-Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure-form a group distinguished by such common factors as a preoccupation with religious dogma and the problem of evil; an interest in human nature as it is, rather than with its latent capacities; and a strong contrast between the outlook of youth and age.
In this timely new study, Borlik reveals the surprisingly rich potential for the emergent "e;green"e; criticism to yield fresh insights into early modern English literature.
One of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature.
A compact and intense read full of twists, turns and intrigue Daily ExpressThe bestselling author of Girl with a Pearl Earring and The Last Runaway returns with a tale of jealousy, bullying and revenge.
From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello's Iago, perhaps the Bard's most compelling villainthe fourth in a series of five short books about the great playwright's most significant personalities.
'This is tragedy naked, godless and unredeemed' Kenneth TynanAn embittered Roman general returns from war, having captured the Queen of the Goths and her three sons.
From the author of the Patrick Melrose novels, now a major Sky Atlantic television series starring Benedict CumberbatchHenry Dunbar, the once all-powerful head of a global media corporation, is not having a good day.
Under the rule of King John, England is forced into war when the French challenge the legitimacy of John's claim to the throne and determine to install his nephew Arthur in his place.