This book addresses aesthetics from a process philosophy perspective to highlight how even the perception of fixed objects, such as painting and drawing, depends on the intertwining and layering of a range of processes.
This book addresses aesthetics from a process philosophy perspective to highlight how even the perception of fixed objects, such as painting and drawing, depends on the intertwining and layering of a range of processes.
This book explores how Hegel, who had studied Shakespeare first as a schoolboy and then continued to cite him throughout his academic career, responded to the challenges of extracting deep philosophical significance and previously unnoticed implications from this playwright's tragedies, especially Hamlet, Macbeth, Romeo and Juliet and King Lear.
This book explores how Hegel, who had studied Shakespeare first as a schoolboy and then continued to cite him throughout his academic career, responded to the challenges of extracting deep philosophical significance and previously unnoticed implications from this playwright's tragedies, especially Hamlet, Macbeth, Romeo and Juliet and King Lear.
This book aims to overcome the still prevailing schizophrenic divisions among sciences, humanities, the arts, and multiple forms of ecological knowledge.
This book aims to overcome the still prevailing schizophrenic divisions among sciences, humanities, the arts, and multiple forms of ecological knowledge.
Hands on Film is a comprehensive study of the representations and on-screen uses of the human limb, spanning the history of the cinema from its birth to contemporary times.
This book presents a broad scope of global contemporary art projects, establishing a new philosophical framework to understand and evaluate the new art practice known as "e;place-as medium.
Hands on Film is a comprehensive study of the representations and on-screen uses of the human limb, spanning the history of the cinema from its birth to contemporary times.
This book presents a broad scope of global contemporary art projects, establishing a new philosophical framework to understand and evaluate the new art practice known as "e;place-as medium.
This book examines the use of colour terms in the poetry of Dylan Thomas, adopting a primarily linguistic and stylistic - rather than literary - approach.
This book examines the use of colour terms in the poetry of Dylan Thomas, adopting a primarily linguistic and stylistic - rather than literary - approach.
Explores the failure of Romantic critiques of political economy, and the diminishing importance of aesthetic consciousness across the nineteenth century.
This volume looks at the effects of interaction and the nature of identity construction in a frontier or contact zone through the analysis of material culture, especially in mortuary settings.