Philosophy: aesthetics

Psychoanalysis and Psychotherapy have, in one way or another, focused on the amelioration of the negative.

How do movies evoke and express ethical ideas?

How do movies evoke and express ethical ideas?

Cuteness is one of the most culturally pervasive aesthetics of the new millennium and its rapid social proliferation suggests that the affective responses it provokes find particular purchase in a contemporary era marked by intensive media saturation and spreading economic precarity.

Cuteness is one of the most culturally pervasive aesthetics of the new millennium and its rapid social proliferation suggests that the affective responses it provokes find particular purchase in a contemporary era marked by intensive media saturation and spreading economic precarity.

Imagination occupies a central place in philosophy, going back to Aristotle.

Imagination occupies a central place in philosophy, going back to Aristotle.

Kirsten Malmkjaer argues that translating can and should be considered a valuable art form.

Kirsten Malmkjaer argues that translating can and should be considered a valuable art form.

This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy.

This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy.

Matthew H.

Matthew H.

In The Artist-Philosopher and New Philosophy, Smith argues that Western Metaphysics has indeed come to what Heidegger describes as "e;an end.

In The Artist-Philosopher and New Philosophy, Smith argues that Western Metaphysics has indeed come to what Heidegger describes as "e;an end.

Pictorial representation is one of the core questions in aesthetics and philosophy of art.

Pictorial representation is one of the core questions in aesthetics and philosophy of art.

In this volume, originally published in 1928, Mackenzie explores the meaning of Value and its place and relation in human thought and life.

In this volume, originally published in 1928, Mackenzie explores the meaning of Value and its place and relation in human thought and life.

Originally published in 1905, Bosanquet's translation of Hegel's Philosophy of Fine Art brings Hegel's commentary and analysis of what constitutes beauty and fine art to an English audience as well as presenting his own viewpoints on the work and what is at the heart of true philosophical theory.

Originally published in 1905, Bosanquet's translation of Hegel's Philosophy of Fine Art brings Hegel's commentary and analysis of what constitutes beauty and fine art to an English audience as well as presenting his own viewpoints on the work and what is at the heart of true philosophical theory.

Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism.

Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism.

First published in 1970.

First published in 1970.

First published in 1991.

First published in 1991.

This book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study.

This book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study.

Modeling Visual Aesthetics, Emotion, and Artistic Style offers a comprehensive exploration of the increasingly significant topic of the complex interplay between human perception and digital technology.

In this book, Stephen Acreman follows the development and reception of a hitherto under-analyzed concept central to modern and postmodern political theory: the Kantian ein erweiterte Denkungsart, or enlarged mentality.

First published in 1990.

First published in 1990.

First published in 1933.

First published in 1933.

First published in 1983, this book examines a work whose intricacies have baffled and infuriated generations of readers and proposes a theory of Coleridge's writing habits that "e;explain(s) his explanation"e;.

First published in 1983, this book examines a work whose intricacies have baffled and infuriated generations of readers and proposes a theory of Coleridge's writing habits that "e;explain(s) his explanation"e;.

First published in 1969, this book places Coleridge's literary criticism against the background of his philosophical thinking, examining his theories about criticism and the nature of poetry.

First published in 1969, this book places Coleridge's literary criticism against the background of his philosophical thinking, examining his theories about criticism and the nature of poetry.

First published in 1953.

First published in 1953.

Music, Time, and Its Other explores the relation between the enigmatic character of our temporal experiences and music's affective power.

Music, Time, and Its Other explores the relation between the enigmatic character of our temporal experiences and music's affective power.

This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism.

This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism.

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language.

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language.

Taking the view that aesthetics is a study grounded in perception, the essays in this volume exhibit many sides of the perceptual complex that is the aesthetic field and develop them in different ways.

Taking the view that aesthetics is a study grounded in perception, the essays in this volume exhibit many sides of the perceptual complex that is the aesthetic field and develop them in different ways.

During the Scottish Enlightenment the relationship between aesthetics and ethics became deeply ingrained: beauty was the sensible manifestation of virtue; the fine arts represented the actions of a virtuous mind; to deeply understand artful and natural beauty was to identify with moral beauty; and the aesthetic experience was indispensable in making value judgments.