This book considers how Samuel Beckett's critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry.
This book expounds Kant's Critique of Judgement by interpreting all the details in the light of what Kant himself declares to be his fundamental problem.
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer's imagination.
Standing at the intersection of criminology and philosophy, this book demonstrates the ways in which mythic movies and television series can provide an understanding of actual crimes and social harms.
Historically, phenomenology began in Edmund Husserl's theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation.
Bridging the gap between cognition and culture, this handbook explores both social scientific and humanities approaches to understanding the physical processes of religious life, tradition, practice, and belief.
Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish poet and playwright who became one of the most popular in London during the 1880s and 1890s.
More than two hundred years after the publication of his seminal The World as Will and Representation, Arthur Schopenhauer's influence is still felt in philosophy and beyond.
In Philosophy of Song and Singing: An Introduction, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists.
This book bridges the gap between the many insights into art provided by research in evolutionary theory, psychology and neuroscience and those enduring normative issues best addressed by philosophy.
Originally published in 1924, this title is substantially a continuation of Baudouin's earlier work Studies in Psychoanalysis, being an application of psychoanalysis to the theory of aesthetics, as illustrated by a detailed study of the works of the Belgian poet Emile Verhaeren.
For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence of the work, the blink of an eye in which one's world changes.
This sourcebook presents nearly 200 specially-translated Greek and Roman texts from Homer to Plutarch, revealing the place of the animal in the moral consciousness of the Classical era.
Nietzsche, Kierkegaard, Virginia Woolf, Samuel Taylor Coleridge, Andre Breton, Rousseau, Simone de Beauvoir: who could imagine a better group of walking companions?
An acclaimed art historian explains how to identify excellence in artIn this book, Jakob Rosenberg takes up the timeless problem of how to make a valid judgment about artistic quality.
"A partir de una crítica al «sentido común» de las imágenes como representaciónde la realidad, Imágenes del terror propone un estatuto contraintituivo que lesdevuelve su propiedad procesual, generativa y transformadora; unaproblematización que aprovecha el rendimiento de la ambigüedad entre terror yerror, es decir el impacto por la fricción de lo errático.
The title as well as the thematic impetus of ESCAPE FROM PHALARIS are derived from the legend of Perilaus and Phalaris as related by the ancient Greek satirist Lucian.