This book constitutes the proceedings of the 4th International Workshop on Interaction and Player Research in Game Development, WIPlay 2025, which took place in Belo Horizonte, Brazil, in September 2025.
Deutsche Kommunalverwaltungen stehen vor der Herausforderung, Social Media strategisch und zielgerichtet im Rahmen eines spezifischen Kommunalverwaltungsmarketings einzusetzen – unter Berücksichtigung begrenzter Ressourcen und besonderer Rahmenbedingungen.
Technologies, applications and practices for virtual environments create interactive and immersive experiences and blend the transitions and permeabilities between the virtual and physical world.
Television before TV rethinks the history of interwar television by exploring the medium's numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s.
Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies.
#Barbie and Social Media delves into Barbie’s transformation from doll to global cultural icon–one that is deeply embedded in contemporary social media discourse.
Television before TV rethinks the history of interwar television by exploring the medium's numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s.
Dans un contexte africain en pleine mutation, les relations publiques evenementielles s'imposent comme un levier strategique de visibilite, d'influence et de rayonnement.
L'objectif de ce livre est d'ajouter une nouvelle branche, specialisee en FLE, a l'arborescence des outils de la pedagogie des multilitteraties, initialement developpee par le New London group.
Checking the Fact-Checkers: A Global Perspective brings together a global group of leading and emerging scholars to explore industry practices and theoretical approaches to fact-checking.
Checking the Fact-Checkers: A Global Perspective brings together a global group of leading and emerging scholars to explore industry practices and theoretical approaches to fact-checking.
Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals' construction of dominant ideas about art cinema.
In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the 20th century and into the 21st.
Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief.
The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time.
This volume offers an organic discussion of Wang Bing's filmmaking across China's marginal spaces and against the backdrop of the state-sanctioned 'China Dream'.
Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities.
The Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting.
Theme Park Fandom argues that serious study of theme parks and their adult fans has much to tell us about contemporary transmediality and convergence, themed and immersive spaces, and audience relationships with places of meaning.
This book examines the desire for, and intoxication with destruction as it appears in cultural objects and representation, arguing that all cultural and aesthetic value is fundamentally predicated on its own fragility, as well as the living transience of those who make and encounter it.
This alternative study of archive and photography brings many types of image assemblages into view, always in relation to the regulated systems operating within the institutional milieu.
In Crip Screens, Olivia Banner provides a wide-ranging and ongoing history of Black, feminist-of-color, and crip resistance to psychiatry's incorporation of hegemonic media technologies into treatment and research.
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion.
The color films of French film director Robert Bresson (1901-99) have largely been neglected, despite the fact that Bresson himself considered them to be more fully realized reflections of his aspirations for the cinema.
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology.
Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress.
