Once a favorite of mainly art house audiences, Hayao Miyazaki's films have enjoyed increasing exposure in the West since his Spirited Away won the Oscar for Best Animated Feature in 2003.
The history of animated cartoons has for decades been dominated by the accomplishments of Walt Disney, giving the impression that he invented the medium.
Few morose thoughts permeate the brain when Yosemite Sam calls Bugs Bunny a ';long-eared galut' or a frustrated Homer Simpson blurts out his famous catch-word, ';D'oh!
This book reveals and explores the thriving animation culture in midtown Manhattan, the World's Fair, art galleries and cinemas during a vibrant period of artistic, commercial and industrial activity in New York City.
This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films.
Japanese Influence on American Children's Television examines the gradual, yet dramatic, transformation of Saturday morning children's programming from being rooted in American traditions and popular culture to reflecting Japanese popular culture.
This study of 'independent' animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism.
This book assembles ten scholarly examinations of the politics of representation in the groundbreaking animated children's television series Steven Universe.
This book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society.
Throughout its history, animation has been fundamentally shaped by its application to promotion and marketing, with animation playing a vital role in advertising history.
This book describes the dubbing process of English-language animated films produced by US companies in the 21st century, exploring how linguistic variation and multilingualism are used to create characters and identities and examining how Italian dubbing professionals deal with this linguistic characterisation.
DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention.
While previous work on the Star Wars universe charts the Campbellian mythic arcs, political representations, and fan reactions associated with the films, this volume takes a transmedial approach to the material, recognizing that Star Wars TV projects interact with and relate to other Star Wars texts.
Disney - This name stands not only for a company that has had global reach from its early days, but also for a successful aesthetic programme and ideological positions that have had great commercial success but at the same time have been frequently criticised.
In 2010, Cartoon Network debuted a new animated series called Adventure Time, and within just a few short years the show became both a pop culture phenomenon and a critical darling.
In 2010, Cartoon Network debuted a new animated series called Adventure Time, and within just a few short years the show became both a pop culture phenomenon and a critical darling.
It's a rare comic character who can make audiences laugh for well over half a century--but then again, it's a pretty rare cartoon hero who can boast of forearms thicker than his waist, who can down a can of spinach in a single gulp, or who generally faces the world with one eye squinted completely shut.
Cada vez que en la radio hablo de cine infantil, su filosofía y la influencia que tiene en las personas, escucho una versión de este comentario: "Es entretenimiento, están hechas para ganar plata.
Im Zweiten Weltkrieg existierte neben der militärischen Konfrontation auch ein "gezeichneter Kriegsschauplatz": Anhand der Bereiche Comic, Cartoon und Trickfilm untersucht Niels Schröder die zeichnerischen Frontverläufe der sich bekriegenden Humorkulturen in den USA und in Deutschland.
Disney - This name stands not only for a company that has had global reach from its early days, but also for a successful aesthetic programme and ideological positions that have had great commercial success but at the same time have been frequently criticised.
Dieser Band stellt das Spannungsfeld von Wirklichkeit und Animation in den Mittelpunkt und lotet aus, inwieweit dieses Verhältnis interdisziplinär begriffen und (medien)theoretisch erfasst werden kann.
Seit ihrem siebten Lebensjahr malt Liv mit viel Fantasie aber auch hohem Wiedererkennungswert die Heldinnen und Helden der Filme, die sie gemeinsam mit ihrer Familie sieht.
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live 'making' and is today exhibited in galleries, public sites and online.
