This is the ultimate book for the Netflix and boxset generation, featuring all the greatest drama series ever broadcast as well as the weirdest game shows, controversial reality TV experiments and breathtaking nature documentaries.
The successful return of horror to our television screens in the post-millennial years, and across a multi-media range of platforms, demonstrates that this previously moribund genre is once again vibrant, challenging and long-lasting.
At a stage of major change in the world of television (the coming of digital TV, multiple channels, mobile TV on cellphones) this book seeks to take stock of the impact of the advent and presence of television on daily life over the past fifty years, or slightly longer.
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain.
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative?
Lorna Jowett delves into the distinctive stories and characters, including the Doctors themselves, their female and male companions, Captain Jack Harkness, Missy, Sarah Jane and her young comrades.
Drawing worldwide acclaim from critics and audiences alike, programmes like The Killing, Borgen, The Bridge and The Legacy demonstrate widespread fascination with Danish style, aesthetics and culture as seen through television narratives.
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative?
Lorna Jowett delves into the distinctive stories and characters, including the Doctors themselves, their female and male companions, Captain Jack Harkness, Missy, Sarah Jane and her young comrades.
In recent years, the representation of alternative sexuality in the horror film and television has "e;outed"e; itself from the shadows from which it once lurked, via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced.
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain.
From melodramas to experimental documentaries to anime, mass media in Japan constitute a key site in which the nation s social memory is articulated, disseminated, and contested.
Though unjustly neglected by English-language audiences, Spanish film and television not only represent a remarkably influential and vibrant cultural industry; they are also a fertile site of innovation in the production of transmedia works that bridge narrative forms.
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany.
Men with stakes builds on recent discussions of television Gothic by examining the ways in which the Gothic mode is deployed specifically to call into question televisual realism and, with it, conventional depictions of masculinity.
Men with stakes builds on recent discussions of television Gothic by examining the ways in which the Gothic mode is deployed specifically to call into question televisual realism and, with it, conventional depictions of masculinity.
Enjoy the taste of the cult classic TV series Twin Peaks with more than 100 recipes inspired by the show's scenes and characters - including Maple Ham Pancakes, Coffee Donuts, Icelandic Hangikjot, Percolator Fish Supper and Chocolate Chestnut Log.
Based on new research and on interviews with those who have the inside story about the founding and development of TG4, Súil Eile gives a lively, no-nonsense account of Irish language TV in the last twenty years.
You didn't just meet with Fred Dinah you were instinctively drawn close to him, his larger than life personality was truly infectious and his communication skills second to none.
You didn't just meet with Fred Dinah you were instinctively drawn close to him, his larger than life personality was truly infectious and his communication skills second to none.
Mid-Cheshire based heritage transportation specialist photographer and feature writer Keith Langston traveled extensively with Fred Dibnah during the filming of his last TV series, 'Made in Britain.
Mid-Cheshire based heritage transportation specialist photographer and feature writer Keith Langston traveled extensively with Fred Dibnah during the filming of his last TV series, 'Made in Britain.
This edited collection focuses on the production cultures of successful small and medium-sized (SME) film and television companies in Norway, Denmark, the Netherlands and the UK, based on a three-year research project, 'Success in the Film and Television Industries' (SiFTI) funded by the Norwegian Research Council.
This edited collection focuses on the production cultures of successful small and medium-sized (SME) film and television companies in Norway, Denmark, the Netherlands and the UK, based on a three-year research project, 'Success in the Film and Television Industries' (SiFTI) funded by the Norwegian Research Council.
With a foreword by Diane Negra and Jorie Lagerway As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type.
With a foreword by Diane Negra and Jorie Lagerway As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type.
