Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms.
Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms.
Creating TV Formats: From Inception to Pitch takes the reader through a step-by-step process of how to generate ideas, develop story lines and characters and hook an audience, whilst staying aware of the realities of the media landscape.
Creating TV Formats: From Inception to Pitch takes the reader through a step-by-step process of how to generate ideas, develop story lines and characters and hook an audience, whilst staying aware of the realities of the media landscape.
This sixth volume in Christian Fuchs' Media, Communication and Society series draws on radical Humanist theory to address questions around the digital public sphere and the challenges and opportunities for digital democracy today.
This sixth volume in Christian Fuchs' Media, Communication and Society series draws on radical Humanist theory to address questions around the digital public sphere and the challenges and opportunities for digital democracy today.
Drawing upon a range of theoretical perspectives, including cultural studies, postcolonial theory, critical race studies, political economy and sociology, Journalism, Culture and Society examines journalism as a democratic necessity that often fails to live up to its promise.
Drawing upon a range of theoretical perspectives, including cultural studies, postcolonial theory, critical race studies, political economy and sociology, Journalism, Culture and Society examines journalism as a democratic necessity that often fails to live up to its promise.
First published in 1992, Images of Disability on Television examines the frequency and nature of disability on British and American television and how it is perceived and presented by programme makers.
First published in 1992, Images of Disability on Television examines the frequency and nature of disability on British and American television and how it is perceived and presented by programme makers.
This book offers a new, interdisciplinary model for understanding audience engagement as a type of behaviour, a form of response and a cost to audiences that, combined, offer value to the screen industries.
This book offers a new, interdisciplinary model for understanding audience engagement as a type of behaviour, a form of response and a cost to audiences that, combined, offer value to the screen industries.
This book offers a comprehensive account of the audiovisual translation (AVT) of humour, bringing together insights from translation studies and humour studies to outline the key theories underpinning this growing area of study and their applications to case studies from television and film.
This book offers a comprehensive account of the audiovisual translation (AVT) of humour, bringing together insights from translation studies and humour studies to outline the key theories underpinning this growing area of study and their applications to case studies from television and film.
Spanning a decade of key research, this collection brings together a selection of essays and chapters from leading media scholar Graeme Turner for the first time.
Spanning a decade of key research, this collection brings together a selection of essays and chapters from leading media scholar Graeme Turner for the first time.
First published in 1991, The Stalker Affair and the Press documents the media treatment of police constable John Stalker's removal from his job and argues that this case presents a major difficulty for the standard academic analysis of the press in Britain: namely that it supports the status quo because it is part of the dominant class system.
First published in 1991, The Stalker Affair and the Press documents the media treatment of police constable John Stalker's removal from his job and argues that this case presents a major difficulty for the standard academic analysis of the press in Britain: namely that it supports the status quo because it is part of the dominant class system.
The BBC and NHK have dominated their national media systems since the 1920s and still play a central role in shaping political, social and cultural life.
The BBC and NHK have dominated their national media systems since the 1920s and still play a central role in shaping political, social and cultural life.
This volume places the spotlight on the role different media and communications systems played in informing the public about the pandemic, shaping their views about what was happening and contributing to behavioural compliances with pandemic-related restrictions.
This volume places the spotlight on the role different media and communications systems played in informing the public about the pandemic, shaping their views about what was happening and contributing to behavioural compliances with pandemic-related restrictions.
This book focuses on the ways in which North American Muslim women artists "e;talk back"e; to dominant discourses about Muslim identity and work to counter mainstream stereotypes and representations.
This book focuses on the ways in which North American Muslim women artists "e;talk back"e; to dominant discourses about Muslim identity and work to counter mainstream stereotypes and representations.
Exploring Indigenous activism through the lens of media practices, this book examines the Indigenous media that has emerged in Argentina since the introduction of legislation in 2009 intended to promote diversity and access in radio and television media production.
Exploring Indigenous activism through the lens of media practices, this book examines the Indigenous media that has emerged in Argentina since the introduction of legislation in 2009 intended to promote diversity and access in radio and television media production.
Originally published in 1996, ethnic minorities in the UK made up over 5% of the population yet were hardly represented in the hundreds of hours of terrestrial broadcast television each week.
Originally published in 1996, ethnic minorities in the UK made up over 5% of the population yet were hardly represented in the hundreds of hours of terrestrial broadcast television each week.
2020 was a period of groundbreaking social and political upheaval, in combination with a colossal epidemiological crisis-and it urgently redefined the working conditions of photojournalists.
This book explores the relatively new genre of 'Quality Telefantasy' and how it has broadened TV taste cultures by legitimating and mainstreaming fantastical content.
