This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island.
This book marks a significant methodological shift in studies of black British women's theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals' personal papers.
This book examines the history, ethics, and intentions of staging personal stories and offers theatre makers detailed guidance and a practical model to support safe, ethical practice.
This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core.
This book examines the history, ethics, and intentions of staging personal stories and offers theatre makers detailed guidance and a practical model to support safe, ethical practice.
This book is a fascinating cri de coeur and made me questioneverything I think about musicals Alan CummingA book for those who can t stand musicals, those who love them, and every theatregoer, academic, practitioner and student in between.
Although he never left his native Krakow except for relatively short periods, Stanislaw Wyspianski (1869-1907) achieved worldwide fame, both as a painter, and Poland's greatest dramatist of the first half of the twentieth century.
'Of course that's how it begins: a harmless fairy tale to pass the hours'When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan.
"e;There is a mystery in every play that is written, no matter whether classical and poetic or modern and demotic, and it is the sound and the rhythm of the writing which take us there.
This practical handbook takes us on a step-by-step journey from pre-production through the rehearsal process, followed by focused advice on each genre from comedy to tragedy, Shakespeare to new plays and musicals.
For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis.
Within the last ten years there has been a renaissance in Irish drama from both sides of the border, including award-winning work which has transfered to London and New York, and has toured Britain as well as Europe and Australia.
Directors and Designers explores the practice of scenography - the creation of perspective in the design and painting of stage scenery - and offers new insight into the working relationships of the people responsible for these theatrical transformations.