New Visions in Performance features the work of twelve performers and academics who are concerned with the integration of digital technologies into theatrical performance.
New Visions in Performance features the work of twelve performers and academics who are concerned with the integration of digital technologies into theatrical performance.
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before.
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before.
This is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow.
This is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow.
Michael Chekhov's classic work To the Actor has been revised and expanded by Mala Powers to explain, clearly and concisely, the essential techniques for every actor from developing a character to strengthen awareness.
Michael Chekhov's classic work To the Actor has been revised and expanded by Mala Powers to explain, clearly and concisely, the essential techniques for every actor from developing a character to strengthen awareness.
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors.
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors.
Shakespeare's Dramatic Heritage shows that the drama of Elizabethan and Jacobean England is deeply indebted to the religious drama of the Middle Ages and represents a climax, in secular guise, to mediaeval experiment and achievement rather than a new beginning.
Shakespeare's Dramatic Heritage shows that the drama of Elizabethan and Jacobean England is deeply indebted to the religious drama of the Middle Ages and represents a climax, in secular guise, to mediaeval experiment and achievement rather than a new beginning.
The Process of Drama provides an original and invaluable model of the elements of drama in context, and defines how these are negotiated to produce dramatic art.
The Process of Drama provides an original and invaluable model of the elements of drama in context, and defines how these are negotiated to produce dramatic art.
Over the past thirty years Ariane Mnouchkine's 'Theatre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors.
Over the past thirty years Ariane Mnouchkine's 'Theatre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors.
As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies.
As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies.
Eigenes Geld drucken, Geister in Schulen suchen, Schönheit anders performen – »mit Kindern zu forschen, heißt täglich zu fragen, wie wir uns die Welt eigentlich wünschen, und das Größte stets mit dem Kleinsten in Verbindung zu bringen« (Forschungstheater).
Ben Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher.
Ben Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher.
Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens.
Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens.
A companion to John Rudlin's best-selling Commedia dell'Arte: A Handbook for Actors, this book covers both the history and professional practice of commedia dell'arte companies from 1568 to the present day.
