Protecting the environment should be a priority of every theatrical production, but it can be challenging to mount an environmentally-friendly show with limited time, resources, and information.
Protecting the environment should be a priority of every theatrical production, but it can be challenging to mount an environmentally-friendly show with limited time, resources, and information.
Di Trevis is a world-renowned director, whose work with Britain's National Theatre, Royal Shakespeare Company, and directing productions worldwide, has deeply informed her knowledge of the director's craft.
Di Trevis is a world-renowned director, whose work with Britain's National Theatre, Royal Shakespeare Company, and directing productions worldwide, has deeply informed her knowledge of the director's craft.
Translated into English for the first time, Daring To Play: A Brecht Companion is the study of Bertolt Brecht's theatre by Manfred Wekwerth, Brecht's co-director and former director of the Berliner Ensemble.
Translated into English for the first time, Daring To Play: A Brecht Companion is the study of Bertolt Brecht's theatre by Manfred Wekwerth, Brecht's co-director and former director of the Berliner Ensemble.
Old Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953.
Old Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953.
Casting is a crucial creative element of any production - and yet the craft and skills needed to put together a successful and exciting cast are often overlooked.
Casting is a crucial creative element of any production - and yet the craft and skills needed to put together a successful and exciting cast are often overlooked.
Jacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre.
Jacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre.
Cecil Davies' The Adelphi Players: The Theatre of Persons represents a uniquely interesting contribution to our understanding of touring British theatre in the mid-twentieth-century, post-war period.
Cecil Davies' The Adelphi Players: The Theatre of Persons represents a uniquely interesting contribution to our understanding of touring British theatre in the mid-twentieth-century, post-war period.
In this invaluable and detailed presentation of the leading creative figures in a richly innovative and dynamic period of Czech theatre, Professor Jarka M.
In this invaluable and detailed presentation of the leading creative figures in a richly innovative and dynamic period of Czech theatre, Professor Jarka M.
Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century.
Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century.
Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
Out of the large body of materials -- articles, speeches, notes and memoirs -- left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work.
Out of the large body of materials -- articles, speeches, notes and memoirs -- left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work.
In Staging a Musical, Matthew White describes all the elements involved in putting on a musical production, including: how to choose the right show, budgets and schedules, auditions, rehearsals, and performances.
In Staging a Musical, Matthew White describes all the elements involved in putting on a musical production, including: how to choose the right show, budgets and schedules, auditions, rehearsals, and performances.
