"e;According to the words of Phaedrus in the Symposium of Plato, Love, sometimes named Eros, has no parents, no age, no history, and its origin remains unknown to anyone.
Jeder kennt sie, jeder liebt sie (und kann sie bei Bedarf zitieren): die cineastischen Wunderwaffen bei Liebeskummer, Regenwetter und anderen Misslichkeiten des Lebens - Komödien.
Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor research.
Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor research.
This media history explores a series of portable small cameras, playback devices, and storage units that have made the production of film and video available to everyone.
This media history explores a series of portable small cameras, playback devices, and storage units that have made the production of film and video available to everyone.
Die Publikation versammelt die Ergebnisse des kunstlerischen Forschungsprojekts DIGITAL SYNESTHESIA (2013-2016) und stellt erstmals ein umfassendes Kompendium zum Begriff der "e;Digitalen Synasthesie"e; dar.
Motion picture production, distribution, exhibition and reception has always been a transnational phenomenon, yet East Germany, situated at the edge of the post-war Iron Curtain, separated by a boundary that became materialized in the Berlin Wall in 1961, resembles nothing if not an island, a protected space where film production developed under the protection of government subsidy and ideological purity.
Motion picture production, distribution, exhibition and reception has always been a transnational phenomenon, yet East Germany, situated at the edge of the post-war Iron Curtain, separated by a boundary that became materialized in the Berlin Wall in 1961, resembles nothing if not an island, a protected space where film production developed under the protection of government subsidy and ideological purity.
This book offers a phenomenological conception of experiential justification that seeks to clarify why certain experiences are a source of immediate justification and what role experiences play in gaining (scientific) knowledge.
In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory.
This book is an investigation of the role of creative labor and the five senses in Rainer Maria Rilke's prose works, including his "e;Primal Sound"e; essay, the Stories of God, The Notebooks of Malte Laurids Brigge, and his monograph on Auguste Rodin.
Toujours en quête d'identité, butant et rebondissant sur son mal de vivre, notre société n'a jamais cessé de se surpasser, de vaincre ses complexes et de faire son cinéma.
The thought of Jean-Louis Chretien is most familiar to those who have taken up the theological turn in French phenomenology, yet it defies reduction to either phenomenology or theology, or for that matter spirituality, literature, or Greek thought.
The controversy over filmmaker Jonas Mekass memories of his WWII Lithuanian youth are delicately and humanely approached in this book-length essay by a Mekas cinephile.
This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly's Heroes, The Sweeney, Reilly - Ace of Spies and Edge of Darkness.
This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly's Heroes, The Sweeney, Reilly - Ace of Spies and Edge of Darkness.
