Art in the San Francisco Bay Area, 1945-1980: An Illustrated History by Thomas Albright provides a comprehensive exploration of the postwar art movement in one of America's most vibrant cultural hubs.
In the early 1970s at Papunya, a remote settlement in the Central Australian desert, a group of Indigenous artists decided to communicate the sacred power of their traditional knowledge to the wider worlds beyond their own.
Kunstwerke, die verschwinden, erzählen die dramatischsten Geschichten – von den Wirren der Kriege, den Schrecken von Naturkatastrophen bis hin zu spektakulären Raubzügen und stillen Verlusten.
This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.
This captivating book offers an in-depth exploration of the profound relationship between dance, art, and objects in African culture, focusing on the ways in which movement breathes life into static forms.
This study reassesses Cage's multifaceted practice from a transdisciplinary perspective, using text as a premise for his musical, visual, lingual, and museal compositions.
This study bridges the chronological divide between the Romantic era and the first six decades of the 20th century, interpreting John Cowper Powys (1872-1963) as a major, under-recognized contributor to the cultural transmission of Romanticism.
This book provides an overview of the diverse multidisciplinary field of more-than-human design, offering a philosophical grounding of more-than-human design in posthumanism while putting practical design examples and methods to the forefront.
In dieser sozialhistorischen Monographie werden die beiden Theologen Walter Rauschenbusch (1861–1918) und Martin Rade (1857–1940) in einer transatlantischen Gegenüberstellung miteinander verglichen, wobei ein besonderer Schwerpunkt auf die politisch-soziale Dimension ihres Denkens und ihrer Arbeit gelegt wird.
