Translated by Lucinda Byatt This book tells the remarkable story of a rare discovery: the uncovering of two lost paintings by the great Renaissance artist Michelangelo.
The first complete account of the ideas and writings of a major figure in twentieth-century intellectual lifeWalter Kaufmann (1921-1980) was a charismatic philosopher, critic, translator, and poet who fled Nazi Germany at the age of eighteen, emigrating alone to the United States.
Evelyn Waugh's first book: a portrait of one of the greatest artists of the nienteenth century, from one of the greatest writers of the twentieth'Biography, as books about the dead are capriciously catalogued, is still very much in the mode'This is a sparkling account of Dante Gabriel Rossetti's tragic and mysterious life, telling the story behind some of the greatest poetry and painting of the nineteenth century.
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation.
Breakfast at Sotheby's is a wry, intimate, truly insider-y exploration of how art acquires its financial value, from Philip Hook, a senior director at Sotheby'sWhen you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it?
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire.
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "e;guilty secret"e;--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
A major new biography of legendary art collector and philanthropist Isabella Stewart GardnerIsabella Stewart Gardner (1840-1924) assembled an extraordinary collection of art from diverse cultures and eras-and built a Venetian-style palazzo in Boston to share these exquisite treasures with the world.
Between the third and sixth centuries, the ancient gods, goddesses, and heroes who had populated the imagination of humankind for a millennium were replaced by a new imagery of Christ and his saints.
The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries.
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass mediaThis fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media.
In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century.
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation.
A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwidePrior to the 1980s, the postwar canon of ';international' contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins.
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politicsThe American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists.
An illuminating look at a fundamental yet understudied aspect of Italian Renaissance paintingThe Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism.
In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes.
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.
How California's counterculture of the 1960s to 1980s profoundly shaped-and was shaped by-West Coast artistsThe 1960s exert a special fascination in modern art.
The first history of indigenous photography in the Middle EastThe birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem-photographs that have long shaped and distorted the Western visual imagination of the region.
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern designAlloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa.
How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds.
A richly illustrated history of textiles in the Mughal EmpireIn the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire.
A compelling collection of the life-changing writings of William JamesWilliam James-psychologist, philosopher, and spiritual seeker-is one of those rare writers who can speak directly and powerfully to anyone about life's meaning and worth, and whose ideas change not only how people think but how they live.
An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient RomeGiuliano da Sangallo (1443-1516) was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way.
From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like?
A meditation on how environmental change and the passage of time transform the meaning of site-specific artIn the decades after World War II, artists and designers of the land art movement used the natural landscape to create monumental site-specific artworks.
A groundbreaking work of scholarship that sheds critical new light on the urban renewal of Paris under Napoleon IIIIn the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugene Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery.
From the celebrated cultural historian and bestselling author, a provocative history of the evolution of our ideas about art since the early nineteenth centuryIn this witty, provocative, and learned book, acclaimed cultural historian and writer Jacques Barzun traces our changing attitudes to the arts over the past 150 years, suggesting that we are living in a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance.
A captivating historical look at the cultural and artistic significance of shells in early modern EuropeAmong nature's most artful creations, shells have long inspired the curiosity and passion of artisans, artists, collectors, and thinkers.
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canonPainting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production.
A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern worldThe seventeenth century witnessed a great flourishing of Dutch trade and culture.
The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings.
The first major history of the bravura movement in European paintingThe painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century.
A landmark work that demystifies the rich tradition of Indian art, Myths and Symbols in Indian Art and Civilization analyzes key motifs found in legend, myth, and folklore taken directly from the Sanskrit.
A magisterial study of celebrated photographer Walker EvansWalker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways.
A fascinating history of marginalized identities in the medieval worldWhile the term "e;intersectionality"e; was coined in 1989, the existence of marginalized identities extends back over millennia.
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can't make sense of contemporary artA classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s.
The first time she made a pizza from scratch, art historian Nancy Heller made the observation that led her to write this entertaining guide to contemporary art.
A richly illustrated celebration of the paintings of President Barack Obama and First Lady Michelle Obama From the moment of their unveiling at the National Portrait Gallery in early 2018, the portraits of Barack and Michelle Obama have become two of the most beloved artworks of our time.
A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures.
