Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot.
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot.
Shakespeare and the English-speaking Cinema is a lively, authoritative, and innovative overview of the ways in which Shakespeare's plays have been adapted for cinema.
Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention.
Although the later eighteenth century has long been regarded as parliamentary oratory's golden age, its speaking history remains to a large extent unexplored.
The Chronicles of England, Scotland and Ireland (1577, 1587), issued under the name of Raphael Holinshed, was the crowning achievement of Tudor historiography, and became the principal source for the historical writings of Spenser, Daniel and, above all, Shakespeare.
The Chronicles of England, Scotland and Ireland (1577, 1587), issued under the name of Raphael Holinshed, was the crowning achievement of Tudor historiography, and became the principal source for the historical writings of Spenser, Daniel and, above all, Shakespeare.
This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare.
Situated within the Oxford Handbooks to Literature series, the group of Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespearean specialists.
Shakespeare's characters are thought to be his greatest achievement--imaginatively autonomous, possessed of depth and individuality, while his plots are said to be second-hand and careless of details of time and place.
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship.
Faithful Labourers surveys and evaluates existing criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries.
Women and the Bible in Early Modern England provides an account of the uniquely important role of the Bible in the development of female interpretative and literary agency, as well as in the expression of female subjectivity in early modern England.
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship.
Samuel Johnson: The Arc of the Pendulum offers unique insight into the works of Samuel Johnson by re-considering William Hazlitt's oft-cited comparison between Johnson's prose and a pendulum.
The restoration of the monarchy in 1660 has commonly been thought to represent a return to political stability and religious consensus following the tumultuous civil wars and the Commonwealth period.
In War, Liberty, and Caesar, Edward Paleit discusses how readers and writers of the English Renaissance read and understood Lucan's (Marcus Annaeus Lucanus, c.
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - A new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction provides a full account of the play's performance history and explores issues of gender, gift-theory, and ecology - Appendices include source materials and a chronology of major productions worldwide - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare.
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers.
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offer authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from the early texts - wide-ranging introduction discusses the play's historical contexts, political significance, characters, sources, and language - detailed stage history designed to meet the needs of students and theatre professionals - on-page commentary and notes explain meaning, allusions, staging, and much else - illustrated with production photographs, historical portraits, textual facsimiles, and map - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.
'le christianisme est etrange' - Pascal, PenseesPascal's assertion that 'Christianity is strange', provides the theme for Richard Parish's exploration of Catholic particularity, as it was expressed in the writing of the French seventeenth century.
Situated within the Oxford Handbooks to Literature series, the group of Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespearean specialists.
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offer authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from the early texts - wide-ranging introduction discusses the play's historical contexts, political significance, characters, sources, and language - detailed stage history designed to meet the needs of students and theatre professionals - on-page commentary and notes explain meaning, allusions, staging, and much else - illustrated with production photographs, historical portraits, textual facsimiles, and map - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.
The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama.
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship.
Tracing the subject from the Middle Ages to the present, David Nash outlines the history of blasphemy as a concept - from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity.
This book reads tragedy as a genre in which the protagonist is estranged from the world around him, and, displaced in time, space, and language, comes to inhabit a milieu which is no longer shared by other characters.
'he thought it expedient and necessary that he should commence knight-errant, and wander through the world, with his horse and arms, in quest of adventures' Don Quixote, first published in two parts in 1605 and 1615, is one of the world's greatest comic novels.
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated.
